Oliver Stone Rewrites History - Again

By ANDREW GOLDMAN
November 22, 2012

"Come on, that's such a canard, you know that," Oliver Stone said. " 
'The Greatest Generation?' That was the biggest publishing hoax of 
all. It's to sell books." This seemingly sacrosanct term was coined 
by Tom Brokaw for his 1998 book of the same title, in which he 
recounted the lives of ordinary, World War II-era Americans. "I was 
in Vietnam with the Greatest Generation. They were master sergeants, 
generals, colonels. They had arrogance beyond belief. The hubris that 
allowed Henry Kissinger to say North Vietnam is a fourth-rate power 
we will break. The hubris of that!"

We were discussing Stone's latest project, a 10-part Showtime series 
and a 750-page companion volume called "The Untold History of the 
United States," which begins with World War I and ends with the first 
Obama administration. It's an Oliver Stone version of a History 
Channel documentary, one guaranteed to raise the ires of both left 
and right and where all roads lead to Vietnam. From where Stone sits, 
World War II begot the cold war, which landed us in Vietnam, a 
manifestation of American imperialism, which led inexorably to our 
current battle in Afghanistan. We have, Stone says, been sold a fairy 
tale masquerading as history, and it is so blinding it may ultimately 
undo us. "You have to understand what it was like to be a Roman 
empire and to find some barbarian tribe riding into Rome in 476 
A.D.," Stone said. "It's quite a shock. And that's what will happen 
to us unless we change our attitude about what our role in the world 
is. Every story out of most newspapers is 'the Americans think this, 
the administration thinks this.' It's always about our controlling 
the pieces on the chessboard. I think what the Arabs have shown us is 
that we don't control the chess pieces. And this is a shock to many 
people. But it's definitely in 'The Greatest Generation.' And it's in 
Spielberg's World War II film, and it's in Ridley Scott's 'Black Hawk 
Down.' These are wonderful-looking films, but the message is 
perverted."

It was a late September morning, and Stone was sitting on the terrace 
of his hotel suite in St. Sebastián, Spain, where his latest film, 
"Savages," was being screened as part of the city's 60-year-old film 
festival. The sun was peeking through some late-morning clouds, 
glinting off the river below, and Stone shielded his eyes with a pair 
of sunglasses that could have been part of Kevin Costner's wardrobe 
in "JFK." At a news conference he gave the day before, he suggested 
that the former Spanish president José María Aznar should be tried at 
The Hague on war-crimes charges for his participation in Bush's 
Coalition of the Willing during the Iraq War. The remark presumably 
only enhanced his status in St. Sebastián, where he was presented 
with the Donostia, the festival's lifetime achievement award. Before 
the premiere of "Savages," Stone walked the red carpet with John 
Travolta and Benicio Del Toro, waiting, a bit impatiently, as 
Travolta, Bill Clinton-like, shook the hand of every fan reaching out 
to him from behind the barriers, kissed old ladies and posed for 
innumerable cellphone pictures; Stone shook some hands, too, but 
demurred when asked to kiss a small dog. "Allergies," he explained, 
pointing to his nose.

"Savages," based on a popular 2010 novel by Don Winslow about a 
couple of boutique marijuana growers who are drawn into battle with a 
brutal Mexican drug cartel, covers terrain that is near to Stone's 
heart. To promote the film, he appeared on the cover of High Times, 
puffing on a thick joint. I mentioned to Stone that the reporter who 
interviewed him for Playboy in 1987 later wrote that the drunkest 
he'd ever gotten was with Stone, in Southampton, where Stone was 
filming the beach house scene in "Wall Street." The reporter 
remembers several bottles of bourbon, and then little else until he 
woke the next morning, soaking wet. He'd passed out on the hotel lawn 
and was roused when the sprinklers started up. Stone chuckled. "That 
is funny," he said. "Because we've all had moments on lawns where we 
passed out. One time I was in the Bel-Air Hotel. I woke up in the 
bushes, and I couldn't find my way back. And my new wife was waiting. 
It was kind of a honeymoon. I remember stumbling in and her face when 
she saw me." Was the look on her face one of horror? I asked. "Well, 
it was like she was in for something with the marriage here," he 
said. This was his first wife, Najwa Sarkis, he clarified (he has 
been married to Sun-jung Jung, his third wife, since 1996).

But Stone isn't a kid anymore. He's 66, sometimes wears hearing aids 
and can't shake off hangovers the way he used to. ("Two vodkas or two 
tequilas and a few glasses of wine, that's the edge for me," he 
said.) It has been more than 25 years since his greatest critical and 
commercial success, "Platoon," an autobiographical retelling of his 
Vietnam experience, which won best director and best picture and 
harvested almost $150 million at the domestic box office. And now 
he's at the age where he's considering his legacy. "A lot of people 
when they get older they write autobiographies or memoirs," he said. 
"But my priority would be to ask, What did the times I lived through 
mean? And did I understand them?"

Stone modeled his new series on the landmark 1973-74 BBC series "The 
World at War," which, at 26 episodes, is considered as exhaustive and 
authoritative a study of World War II as could be offered on 
television. Stone's "Untold History" jams almost 75 years of American 
history into just 10 hours, so that may kill the exhaustive angle, 
but Stone is certainly hoping for the authoritative bit. "This," he 
pronounced, "is truly the meaning of these events."

...

http://www.nytimes.com/2012/11/25/magazine/oliver-stone-rewrites-history-again.html

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