Gus Ammar wrote:
>     It is true that MP3z may be hurting the artists, and they have an even 
>     greater potential of hurting the record industry than home taping once 
>     did.  Cassette dubbing renders a copy that is of a serious decline in 
>     quality, while MP3z render an almost perfect digital copy (the 
>     differences are in the frequencies that most untrained ears will never 
>     pick up).  Well I think that's just great.  To quote one American band 
>     "Home taping is killing the record industry, but killing ain't always 
>     wrong".  CDs are one of those products that have remained the same price 
>     since they were first introduced.  To be paying fifteen to seventeen 
>     dollars for some albums I think is absolutely ridiculous.  Props to the 
>     indie labels that keep their prices down to around eleven dollars.  I 
>     think its rather amazing that these labels are producing less product 
>     than their major competitors, yet somehow keep the prices low.
>     I understand that for the artist, it must be frustrating to see your 
>     work "stolen", and its very easy for the non-artist to say "well, you 
>     should be glad that your work is getting more exposure, albeit without 
>     payment"...But should the artists belong to a system that overcharges 
>     the fan/consumer?  
>     The fact is I'd much rather own an album than have it sitting as a file 
>     on my computer, I love the artwork, I love being able to read the 
>     credits...Most of the time I end up buying the CD that I onced had 
>     ripped as MP3, like some people here have done...Still, I have no guilt 
>     in my mind for having that one song by an artist I like or an entire 
>     album that I'm not willing to put down a good chunk of change for on my 
>     computer...
>     Well here's to capitalism...and the little things we can all do to spit 
>     in its face...
> 
> -=gus=-
> 
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> 
> Ah, the mp3 debate... i'd just like to clarify a point that is often 
> misunderstood by the record/cd buying public. here's the typical 
> breakdown of an "overpriced" cd: major label record company sell cd's to 
> retailers for about 10 us dollars. the retailer then turns around and 
> sells it for say $17.98. after recouping costs of recording; after 
> divvying up percentage points to producers and publishing, costs of 
> marketing, etc.; the artist will get about 1% or about a dollar or so 
> (if their lucky) to split three - four - five ways. that's not very much 
> pay for a hard day's (or year long's) work.

the real problem with overpriced cd's is the fact that the brick & 
mortor retailers need to make their profit for selling cd's. obviously 
web retailers don't have the overhead that their b & m counterparts do, 
so it's much easier to undercut them and more power to them if they're 
able to do it without ripping off the artist. 

i don't exactly know how the price could possibly go down. the costs of 
making a record certainly haven't gone down. the least pricey item in 
all of this is the cost of the cd itself - about 60 cents. but that such 
a trivial amount it's hardly worth factoring in all of this. 

that said, i would never charge anything for an mp3. i think it's a 
great promotional tool and needs to be thought of as such. 

now that i've bored you all to tears, i think i'll sign off before i 
start rambling again...


-chris


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