Glaringly obvious Corin
But if you were any good you'd have made a shitload of cash wouldn't you?


I feel the same way as you. I can't make a living doing what I love.
Sitting on my arse playing on the playstation and sleeping all day simply
isn't a viable career.

We've had more than a dozen  bands get record deals as a result of giving
away free mp3's on our site - Now it's their turn to be freeloading buggers
- making loads of 'money for nothing' as the hideously rich Dire Straits put
it. That's the way it works isn't it?
The music industry is corrupt as fuck, it rips people off they're getting it
back a bit now.
I reckon that if somebody really likes your music they'll go out and buy a
CD - I take it your CD's are available in shops across America? If not then
maybe MP3s are the only way your public can hear you.

What's it about? Making music or making money?
If it's about the music nice one - keep on.
If it's about making money then sell your soul go and learn Perl or
something and get a well paid but soul-destroying computer job.


Apologies to your girlfriend if this causes you some grief.





        -----Original Message-----
        From:   [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED]]
        Sent:   12 April 2000 14:14
        To:     [EMAIL PROTECTED]
        Subject:        Re: MP3 files (slightly long and diatribe-esque)

        In a message dated 4/11/00 9:44:33 PM EST, [EMAIL PROTECTED]
writes:

        << but then you could always argue thatyou play music because you
want
         to, not because you want to make money... 
            i book bands because I like the music and I want people to hear
it...
         I don't profit from it at ALL. in fact, sometimes I lose money >>


        Ahhh, see now we're getting down to the real issue-the one that
keeps me 
        awake at night. The question: just what the hell am I doing with my
life. 
        You're right, I got into music because it was a calling and
something I 
        really enjoy-but it's also my job. I pay taxes on it, and though I
do have a 
        part time day job, I spend 40 to 50 hours a week doing music. As I
get a 
        little bit older (but I still know how to party,ummm, dude) I am
spending an 
        awful lot of time thinking about the way I've lived my life so far.
Surely 
        there's something righteous about dedicating yourself to a faith
that's based 
        in making other people happy, but are certain lifestyle sacrifices
one makes 
        and one ends up wondering if perhaps one has made a fool of oneself.


        I have been playing in clubs since I was 14 years old (bass player
syndrome: 
        you'll have a gig before you're even any good) and I mean for real.
When I 
        was 16, when everyone else was doing whatever 16 year olds
do-playing video 
        games or going on dates-I was playing R&B covers 4 nights a week
with guys 
        who were in their in their 30s. At the time it was a blast, of
course, and a 
        fantastic musical training for a bass player (simply put: most 16
year old 
        bass players don't play "Expressway To You Heart" over 500 times),
whenever I 
        hear people talking about being young "Remember the Prom?", "We used
to go to 
        football games", etc. all I think of is the smell of stale smoke and
being 
        afraid of coked up bikers. Ah, nostalgia.

        Since then I have spent my entire young adult life in some fucking
van on the 
        way to some show. It would be OK if it was just the playing. I'm not
looking 
        for any sympathy, I'm just saying what it is. You drive 5 hours the
show 
        (somewhere in Upstate NY usually), you get there when they told you
to but 
        the soundman doesn't show up for another hour 1/2 and you have to
sit there 
        with all your gear while some bartender gives you the hairy eye.
Then you 
        soundcheck and then sit around and wait 3 or 4 hours to play with
nothing to 
        do but drink-and 9 times out of 10 you are paying full price for
those 
        drinks. Then you play your 45 minute set-except that they always cut
off your 
        last song- and load out and drive home. Generally speaking you will
be paid 
        exactly $20 less than you spent on gas-just enough to make you feel
like a 
        loser as you're pulling into your rehearsal space to unload and go
to work. 
        So yeah, it's fun, but when I'm loading my bass cabinet up the
stairs at 5 or 
        6 in the morning and I know that I'm going to go to work and then do
the 
        whole thing over again that night, and I know that the bartender got
paid 
        last night, the soundman got paid last night and the big dope
checking IDs 
        got paid last night and that they were all in bed 4 hours ago, I
feel stupid. 
        I feel like I've made some really foolish choices in life.

        In this cycle of silliness (with it's inherent question always
tugging on my 
        sleeve: "How long? How long can you keep doing this?"), the one
saving grace, 
        the one thing that actually makes you feel like you're accomplishing

        something is when you sell a few CDs at a show. When some kid drags
his buddy 
        over and says "I bought your CD at your last show and now he wants a
copy" 
        you actually feel like you are in the right spot in your life. What
could be 
        better than the thought of some kid listening to your music while
doing his 
        laundry, or driving to work or making out with his girlfriend? And
the truth 
        is: his $10 is going right into the gas tank to get you home that
night 
        because all the band members blew their personal cash buying drinks.

        So, I've always been OK with this equation. But now the kid goes
home, 
        converts the CD to a WAV file and gives the MP3 to every fucking one
of his 
        friends! And so you say"Ahh, but then those kids will love your
songs too and 
        they'll all come to your next show"-but no they won't because it's
only one 
        of the 600 MP3 files that he sent them. It's not like they had to
get on the 
        cross-town bus and schlep all the way to the one cool store in town
to buy 
        the CD they read about in Magnet. In that scenario they have an
emotional 
        investment in the music. With an MP3 that some kid in your science
class sent 
        you, it's just another piece of junk mail and you might open it or
you might 
        just delete it. Everybody always says "MP3s-exposure, right?" You
ever try 
        paying your rent with fucking exposure?  I told my landlord "Hey,
man, it's 
        good exposure for you to have me living here"  He still wants his
money. You 
        think that those jerks who started Napster aren't getting paid?
Everybody 
        gets paid, except the musicians. All I'm saying is, try going to you
dayjob 
        for a couple of days just for the exposure and see how it feels.

        I went home for Christmas and I saw my 17 year old cousin, Adam.
Adam is a 
        cool kid, but he's lived a pretty easy life. My uncle is kind've
loaded 
        (though I defy anyone in my family to tell you what he actually
does. Wears a 
        tie is the closest I can come to guessing), and Adam has spent an
awful lot 
        of time on the couch playing Playstation.  So, Adam says to me "Hey,
I 
        ordered your CD from the website and I think it's really cool". Oh,
thanks 
        Adam, that's great. "So, I made an MP3 out of it and E-mailed it to
everyone 
        at my prep school. " Thank you.

        My girlfriend say that you're all not allowed to bring up topics
that get me 
        worked up. I have to lie down now.
        Corin
        _________________________________________________________
        Enlighten your in-box.         http://www.topica.com/t/15
_________________________________________________________
Enlighten your in-box.         http://www.topica.com/t/15

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