Fellas,

On a similar note ... I could never understand how
skittles (the candy) ever made it ... I think it's
just plain awful, but everyone I know loves the junk.
Different strokes and all that ...

ad

--- JR <[EMAIL PROTECTED]> wrote:

> Date:         Tue, 17 Jan 2006 23:59:00 -0500
> From: JR <[EMAIL PROTECTED]>
> Subject: Re: [MOPO] HOSTILE TOWARD HOSTEL
> To: MoPo-L@LISTSERV.AMERICAN.EDU
>
> Erik,
>
> Sorry, dude, but if your statements below are
> serious, then from your own
> statements you've identified yourself as a product
> of the problem we're
> discussing. Sorry to be so blunt, but at least as
> far as your cinema
> tastes/critical facilities go, it would seem you've
> been sadly influenced to
> a damaging degree by these films, which is exactly
> the point. Naturally, I
> don't expect you to see it this way (and I fully
> expect you to be quite
> pissed at me for looking at it that way). You talk
> about choice, but how
> much choice about being exposed to this violence
> pollution did you have when
> you were very young... when your tastes were being
> formed? How much of it
> just seeped into your consciousness through TV
> commercials for such films,
> from being allowed to see these films when you were
> young, and other
> exposure media-glorifications of violence which have
> become so common?
>
> Do you really not understand the difference between
> a genuine horror film
> and a gratuitous torture fest?
>
> If you "get an emotional stimulus" that you "enjoy
> receiving" from the
> later, am I supposed to believe that's cool? Sorry,
> man, it's not. Not in a
> civilized world.
>
> -- JR
>
>
> ----- Original Message -----
> From: "Erik" <[EMAIL PROTECTED]>
> To: <MoPo-L@LISTSERV.AMERICAN.EDU>
> Sent: Tuesday, January 17, 2006 22:05
> Subject: Re: [MOPO] HOSTILE TOWARD HOSTEL
>
>
> > People watch horror films the same reason some
> people ride roller
> coasters,
> > or skydive, or watch a sappy tearjerker: it gives
> them an emotional
> stimulus
> > they enjoy receiving. It's not for everyone.
> >
> > Tastes are different, and "positive contributions"
> may be one thing to you
> > and another to I. I'll take Tobe Hooper's Texas
> Chainsaw Massacre over
> > Citizen Kane any day of the week. Re-Animator
> trounces Gone With the Wind
> in
> > my house. Am I supposed to feel somewhat less of a
> movie fan because of my
> > tastes in cinema? Is the fact that I own Cannibal
> Holocaust supposed to
> make
> > me a sick, depraved prevert, regardless of how
> "normal" my life is?
> > I think not. What floats your boat may not work
> for me, bunky. Such is the
> > beauty of choice.
> >
> > Cheers,
> > Erik
> >
> >
> > ----- Original Message -----
> > From: "JOHN REID Vintage Movie Memorabilia"
> <[EMAIL PROTECTED]>
> > To: <MoPo-L@LISTSERV.AMERICAN.EDU>
> > Sent: Tuesday, January 17, 2006 9:03 PM
> > Subject: Re: [MOPO] HOSTILE TOWARD HOSTEL
> >
> >
> > >I have never been able to understand the
> fascination with extreme horror
> > > films or the motivation of those who make them.
> Perhaps it is just the
> > > cheap
> > > thrill or a perverted form of shock value but it
> is all a mystery to me.
> I
> > > believe that, despite what some sociologists
> might claim, there is a
> > > direct
> > > correlation between violence in movies and the
> many violent and horrific
> > > crimes that seem to occur daily. I guess those
> who make these films will
> > > make money from them but it is a pity that they
> cannot direct their
> > > talents
> > > into making films that can make a positive
> contribution.
> > >
> > >
> > > JOHN REID VINTAGE MOVIE MEMORABILIA
> > > PO Box 92
> > > Palm Beach
> > > Qld 4221
> > > Australia
> > >
> > > Website: www.moviemem.com
> > > ----- Original Message -----
> > > From: "Phil Edwards Cinema Arts"
> <[EMAIL PROTECTED]>
> > > To: <MoPo-L@LISTSERV.AMERICAN.EDU>
> > > Sent: Wednesday, January 18, 2006 11:01 AM
> > > Subject: Re: [MOPO] HOSTILE TOWARD HOSTEL
> > >
> > >
> > >> Erik is correct of course, most most notably in
> his last two paras of
> > >> his post.
> > >>
> > >> I probably won't see HOSTEL unless it's as  a
> freebie on DVD down the
> > >> track.
> > >>
> > >> I haven't bothered to see remakes of DAWN OF
> THE DEAD or TCM either.
> > >> It's a matter of choice. I can think of a dozen
> movies that I would
> > >> choose head of eitehr of these to watch given
> the amount of fre rtime I
> > >> have to watch movies these days.
> > >>
> > >> But it has nothing to do with content, although
> perhaps subject matter
> > >> is an issue in making a choice, preferring an
> "emotional adrenalin
> rush"
> > >> to a more "visceral adrenalin rush". I like
> films that disturb me
> > >> emotionmally and promote thought about
> "difficult" emotions over films
> > >> that really just make me choke with a  gag
> reflex....
> > >>
> > >> but.... in past there were films like NOTLD
> DEAD, DAWN OF THE DEAD,
> > >> TEXAS CHAINSAW MASSACRE, HALLOWEEN, NIKGHTMARE
> ON ELM STREET, etc,
> > >> etc... and they all received similar commenatry
> at the time of their
> > >> release as films like HOSTEL and SAW  receive
> today.
> > >>
> > >> I'm re-reading David Skal's excellent book THE
> MONSTER SHOW....
> > >> essential reading for serious horror fans as
> are all of David's
> > >> books.... and guess what? The contemporary 1932
> critical quotes to
> > >> FREAKS and MURDERS IN THE RUE MORGUE could
> almost be identical, just by
> > >> replacing 'FEAKS' with 'HOSTEL'.
> > >>
> > >> So much of this stuff has to do with changing
> sensibilities and the
> need
> > >> every few years for film makers to "revolt"
> against the kind of
> creeping
> > >> conservatism that permeates through politics
> and society and into
> > >> popular arts (like film). Why do you think
> American independent film
> > >> makers did such a huge cage rattel in the late
> 1960s, apart from
> > >> protesting another commercially-driven war?
> > >>
> > >> BROKEBACK MOUNTAIN and HOSTEL are likely coming
> out of the same school
> > >> in some ways... the school of WAKE-UP film
> making. They may achieve a
> > >> different aesthetic and through different
> means, but at least they are
> > >> honest in their (quite diverse)
> intentions/methods, unlike something
> > >> like THE PASSION, which was a gorehound movie
> masquerading as an
> > >> uplifting spiritual experience.
> > >>
> > >> Phil
> > >>
> > >>
> > >>
> > >> Erik wrote:
> > >>
> > >>> I was in attendance at a screening with Eli
> Roth in Texas not to long
> > >>> ago, and while I didn't care for Hostel (or
> Roth's work in general) I
> > >>> for one am thankful that hard-core (not in the
> pornographic sense that
> > >>> many attatch to the word) horror is making a
> comeback.
> > >>>
> > >>> I cut my teeth on the Golden Age of Slasher
> Films during the late 70's
> > >>> to the mid 80's and as of late, the genre has
> become so PC,
> > >>> watered-down and weak-kneed by catering to the
> PG-13 teeny-bopper
> > >>> crowd (as the recent glut of crap with Kevin
> Williamson's name
> > >>> attached to it attests) that I thank my bloody
> stars that a film like
> > >>> Hostel is even seeing the light of day, much
> less getting national
> > >>> distribution. This is nothing more then a
> drive-in flick at best, and
> > >>> it's #1 opening was a welcome sight to this
> ol' gorehound's jaded
> > >>> retinas.
> > >>>
> > >>> I'm not delving into the "bad movies/bad tv
> debate" as it's pointless
> > >>> here. I'm outnumbered and will surely get
> trounced by those with more
> > >>> time (and by those much wordier then I) to
> make their case.
> > >>>
> > >>> I'm also thankful *I* am the one deciding what
> I watch, and not
> > >>> someone who thinks *they* know what's good or
> bad.
> > >>> If it's offensive don't watch.
> > >>>
> > >>> Cheers,
> > >>> Erik
> > >>>
> > >>>
> > >>>
> > >>> Visit the MoPo Mailing List Web Site at
> www.filmfan.com
> > >>>
> > >>>
>
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