(skip this first paragraph, if need be, to get to my real
question)
Hello, everybody. I'm new (sortof) to the list, so bear with
me. Actually, I was a regular member for about 2 years, back around 1995
or so. I had a huge lot (2000+ items) to sell for a second party who had
been given the items by 60+ years curator of an old theater in my home town that
had been shut down by the Fire Marshal temporarily, as a fire hazard.
Anyway - having zero experience in the ins and outs of the movie memorbilia
business, or any knowledge thereof, I undertook the task of identifying,
cataloguing, grading, and selling the materials, for a modest fee. Took me
2 years to sell all the items on eBay (things were not nearly as streamlined
then). Must say, through the help of this user group, and experts like
Hershenson, Kirby McDaniels, John Kisch, and John Warren, I learned a lot during
those 2 years. Matter of fact, some here may remember that I had shopped
out something to the majors that was something I had never seen before - a
Goldfinger, near-mint, rolled, set of 4 door panels. Top bid I received at
that time was for $2700. 6 months later, someone on MoPo put up a thread
about a recent Sotheby's (or Christie's) auction event. The first line of
the story read "Bond Items bring Top Dollar". My curiosity adequately
piqued, I quickly got the story and subsequently got sick to my gut when I read
that the highest price every payed for a Bond item had occurred, with a
near-mint, linen-backed set of 4 Goldfinger door panels bringing (big gulp)
$24,637! After a quick check with the person I had sold the items to, I
found out that, indeed, it was that same set. He had sold them to the
party who eventually took them overseas for the auction. Who knew!
Just so happened a couple of country-of-origin parties decided they "couldn't
live without them", and the rest is history. Anyway - I'll never forget
that one.
But enough about me.
I've recently gotten back "into it" for several reasons, and have decided
that I want to have a goodly number of my pieces linenbacked (or
paperbacked). I'd always heard nothing but good things about Studio C and
J Fields Studio. I've also recently noticed some other LBers on the net,
particularly Poster Conservation. I also remember a fellow who I
believe was named Eugene Hughes (?) who did this kind of work. I want high
quality work done on these, and am not that concerned about super-quick
turnaround. I am surprised to see the major difference in price between J
Fields ($65/1S) and Studio C ($100/1S), etc. Is there some reason why the
margin would be that different between the two? Is the quality that
different? The turnaround time? Or does the lower price get pumped
up with other options? For instance, might J Fields have higher bleaching,
washing, etc., charges, that would bring their "overall" price up to C's?
I've not heard any of these things, just wondering why the major (40%)
disparity, all other things being equal.
I would really appreciate any and all comments, positive or negative, about
these and any other linenbackers of high quality. I'm thinking along the
lines of 10-16 1-Sheets, 4-6 Half-Sheets, 4 or so Inserts, as well as possibly
some doctoring up of some lobby cards, which I would prefer to send all at the
same time to take advantage of any discounts I might be able to get.
Any and all advice greatly appreciated. I'm fully aware that
everybody monitors these boards, so feel free to PM me with your reply. I
certainly don't want to offend anyone.
Many thanks again, and glad to be back!
Keith
|
- [MOPO] J Fields vs Studio C etc question Keith A DuPriest
- Re: [MOPO] J Fields vs Studio C etc question P Molitor
- Re: [MOPO] J Fields vs Studio C etc question Alan Heimann
- Re: [MOPO] J Fields vs Studio C etc question Susan Heim
- Re: [MOPO] J Fields vs Studio C etc question David Kuspa