Agreed, generally. Metacritic.com awards SICKO a score of 74, categorized as generally favorable reviews. Of films in wide release only GRINDHOUSE, 28 WEEKS LATER, HOT FUZZ, KNOCKED UP, RATATOUILLE AND PAN'S LABRYNTH (metacritic's "window" of release dates is fairly wide - I don't know their exact criteria on this) fare better. Critics have commented on how funny the film is, and I agree, but I must say that the Austin audience I saw the film with last night was mostly silent. Maybe they were just appalled.

Having said all this, we went to the theater to see LA VIE EN ROSE, but the air conditioning was broken in that room. So SICKO it was.

K.


On Jul 1, 2007, at 2:08 AM, David Kusumoto wrote:

** True, while film critics (vs. political pundits), have remarked that "Sicko" has more humor than Moore's previous efforts, his latest film has been excoriated by a surprising number of writers who are fine-toothing him like never before.

** The New Yorker, hardly a "conservative" magazine that I've read for nearly 40 years, was particularly harsh. David Denby's review of "Sicko" (see below) was blistering. Then this morning's report by the Associated Press (also below) -- takes a point-by-point whack at "Sicko" in a way that puts Moore under a cloud of suspicion that's unusual from a normally fawning press corps that in years past -- has accommodated Moore's effort to grab free publicity w/o having to spend millions on advertising.

** As a U.S. citizen and world traveler who was born in Japan, I looks at America's "goodness" in a way I think some indigenous Americans take for granted. I've seen all of Moore's films even though I consider myself a social liberal and fiscal conservative who supports the military (esp. given Japan's dependence on the US for its national defense) -- Bernard Goldberg would describe me as a JFK "liberal" who leans toward the right. I liked "Bowling for Columbine" even though I found Moore's ambush of Charlton Heston at the end upsetting. And I felt "Fahrenheit" was a screed that doesn't hold up upon second viewing. I've paid full theater admission to see all of his films.

** But I'm gonna pass on "Sicko" until it comes out on DVD. Despite his value as an "entertainer," Moore's suspect "documentarian" methods are upsetting to me an ex-news director, editor and reporter. Hence I'm glad that Kirby, while recommending "Sicko" to MoPo's members -- described Michael Moore as a polemicist -- because in my view, Moore is not a news/documentarian in the Cronkite or Edward R. Murrow tradition (who were both liberals, by the way). If Moore's films can be considered documentaries with balance, than so can Leni Riefenstahl's "Triumph of the Will."

-koose.

================================

ASSOCIATED PRESS
Sunday, July 1, 2007; 1:52 AM (ET)
MOORE'S 'SICKO' GIVES ACCUSED LITTLE SAY
By Kevin Freking and Linda A. Johnson

WASHINGTON (AP) - In many respects, Michael Moore's new movie, "Sicko," is like a trial for those who oversee health care in the United States.

The industry - doctors, drug makers, hospitals, insurers - is charged with greed and putting personal interests above patients'. Moore heard from thousands of people who had maddening and heartbreaking brushes with this system. As chief prosecutor, Moore lets them do most of the talking and weaves their stories into the film with wit, compassion and humor.

But one aspect missing from the film is the defense. Do not expect to hear anyone speak well of the care they received in the U.S.

On the other hand, patients and doctors from Canada, Britain, France and Cuba marvel at their health care.

Moore tells viewers there are about 50 million people in the U.S. without health insurance. Just this past week, the Centers for Disease Control and Prevention estimated there are about 43.6 million uninsured people in the country. In March, the Census Bureau put the number at 44.8 million.

Moore noted that about 18,000 people die each year as a result of the lack of health insurance. That number comes for a January 2004 report from the Institute of Medicine. The report said the uninsured do not get the care they need and are more likely to die prematurely.

Taking on the pharmaceutical industry, Moore says it spent millions of dollars lobbying Congress for a Medicare prescription drug benefit.

"Of course it was really a bill to hand over $800 billion of our tax dollars to the drug and health insurance industry," he said. Moore is citing the projected cost for the Medicare drug benefit's first 10 years.

Last year, however, Medicare officials told The Associated Press that the projected cost of the benefit through 2015 stood at about $729 billion, a substantial drop compared with original estimates.

Moore also noted the some of the elderly in the drug program could end up paying more for their prescriptions than they did before. That is true.

But the vast majority do save because of the tens of billions of dollars in annual government subsidies to help cover the cost of their medicine. The Centers for Medicare and Medicaid Services says people save about $1,200 a year on average by participating in the program, called Medicare Part D.

At one point, Moore notes where the U.S. ranks in terms of health care around the world.

"The United States slipped to No. 37 in health care around the world, just slightly ahead of Slovenia," he said.

That ranking is based on a 2000 report from the World Health Organization that some health analysts viewed as misleading. Moore does not say that one of the countries he highlighted, Cuba, is ranked 39th, below the U.S.

Among the others, France is ranked No. 1, the United Kingdom ranked 18th and Canada ranked 30th. He does not give those rankings, either.

The report, based on 1997 data, measured not just the quality of care provided, but how well the countries prevented illness and how fairly the poor, minorities and other special populations are treated.

Moore's film includes security video showing a disoriented elderly woman in a hospital gown and slippers wandering in the gutter of a busy Los Angeles street. Kaiser Permanente Bellflower Medical Center near Los Angeles had discharged her and sent her off in a cab. Eventually, a staff member from the Union Rescue Mission in the city's crime-ridden Skid Row area comes out to help the woman. The March 2006 incident was widely documented. This May, Kaiser Permanente, the country's biggest health maintenance organization, reached a settlement with Los Angeles prosecutors requiring Kaiser to make changes to end the dumping of homeless patients on streets.

Los Angeles authorities are investigating allegations that a dozen area hospitals have dumped more than 50 homeless patients downtown. On Wednesday, prosecutors filed civil complaints against two other hospitals and a transportation service accusing them of dumping homeless patients in Skid Row.

In the movie, Moore correctly states that the chief executives of health insurance companies make millions of dollars a year. Among the insurers mentioned are Humana Inc. (HUM), where chief executive Michael McCallister received about $5.9 million in salary and other compensation in 2006, and Aetna Inc. (AET), where chief executive Ronald Williams last year received salary and other compensation totaling about $30.9 million. Those figures were determined by an AP analysis of company filings with the Securities and Exchange Commission.

Huge executive salaries are the norm in all of corporate America.

An AP analysis of 386 Fortune 500 companies' executive compensation reports showed that half the CEOs made more than $8.3 million last year.

In the film, an insurance company call center employee says her company has a list of pre-existing conditions that would "wrap around this house." The conditions, including diabetes, heart disease and cancer, make applicants ineligible for coverage. Numerous disorders then scrolls up a black screen in yellow letters - think of the "Star Wars" movie introductions.

Karen Ignagni, president and chief executive of the trade group America's Health Insurance Plans, said Moore does not identify the plan involved but that it is not a typical one. She said about 17 million people in the U.S. are insured under individual plans and an additional 200 million under group plans.

"If that list were true, none of those people would be getting health insurance," Ignagni said.

Ignagni said decisions about which treatments are covered by a plan are made by the sponsor, such as an employer, not by the insurer.

Moore also takes on the notion that universal health coverage leads to longer waits in hospital emergency rooms and to see doctors. He visited a crowded emergency room in Canada and asked patients how long they had to wait. One said 20 minutes; a second said 45 minutes. "I got help right away," a third said.

Yet a recent report from the Commonwealth Fund indicates that wait times in the U.S. are clearly shorter than they are in Canada.

In all areas measured, the U.S. fared better than Canada. For example, 24 percent of Canadians waited four hours or longer to be seen in the emergency room versus 12 percent in the U.S.

The difference was more acute when it came time to see a specialist. Fifty-seven percent of Canadians waited four weeks or longer to see a specialist versus 23 percent in the U.S.

The Commonwealth Fund also monitored wait times in Britain, which has universal health care. The wait times for emergency room care were comparable to those in the U.S.

There was a big difference when it came time to see a specialist - 60 percent in Britain waited four weeks or longer.

The film concludes with a trip to Cuba where Moore seeks care for a group of workers who have experienced health problems after responding to 2001 terrorist attacks. They are greeted with open arms at a hospital in Havana and given what appears to be top-notch care that they could not get in the U.S.

The question left for viewers to ponder is whether Cubans are given such red carpet treatment, too.
---
Linda A. Johnson reported from Trenton, N.J.

================================

July 2, 2007
THE NEW YORKER
The Current Cinema
Do No Harm - “Sicko”
by David Denby

Michael Moore has teased and bullied his way to some brilliant highs in his career as a political entertainer, but he scrapes bottom in his new documentary, “Sicko.”

The movie is an attack on the American health-care system, and it starts out strongly, with Moore interviewing families who have been betrayed or neglected by H.M.O.s and insurance companies.

A man whose life might have been saved by a bone-marrow transplant died when he was refused “experimental” treatment. A feverish baby died when her mother, rather than taking her to a hospital run by her insurer, Kaiser Permanente, rushed her to the nearest emergency room, where they were turned away.

Moore then zeroes in on the situation of three volunteer Ground Zero rescue workers, who have trouble breathing or who suffer from stress and can’t get assistance from the federal government. More baffled than angry, they soberly report on their conditions, and Moore comments that even national heroes aren’t given help by the nation.

A bit later in the film, however, he presents congressional testimony suggesting that people the Administration has deemed to be national enemies—the detainees at Guantánamo Bay—are receiving good health care free. So Moore loads the Ground Zero volunteers, plus some other people who have serious health problems, into three boats in the Miami harbor. “Which way to Guantánamo Bay?” he calls out to a Coast Guard vessel, and the little flotilla sets off for Cuba. When the boats arrive outside the base, they are, of course, stonily denied entrance.

An absurdist of outrage, Moore has attacked corporations that destroy cities by closing down local plants (“Roger & Me”); a gun- happy culture that makes arms easily available (“Bowling for Columbine”); an Administration that begins a war without sufficient cause (“Fahrenheit 9/11”). He has stalked corporate officials and congressmen, planted his bulk before them and asked mock-naïve questions, and his provocations, at their best, have smoked out hypocrites and liars.

But this confrontation is different. Hauling off seriously ill people to a military base where they won’t receive treatment is a dumb prank. And the insensitivity isn’t much relieved by the piece of whimsy that comes next: Moore and the rescue workers (the other sick voyagers having mysteriously disappeared) wander onto the streets of Havana and ask some guys playing dominoes if there’s a doctor nearby. They go to a pharmacy and then to a hospital, where the Americans are admitted and treated.

Few people in Moore’s audience are likely to be displeased that they receive help from a Communist system.

But what is the point of Moore’s fiction of a desperate, wandering quest for medicine on the streets, as if he hadn’t known in advance that Cuba has free health care? Why not tell us what really happened on the trip—for instance, what part Cuban officials played in receiving the American patients?

After the early tales of the system’s failure, “Sicko” becomes feeble, even inane.

A recent poll shows that a majority of Americans not only favor a national health service but are willing to pay higher taxes for it. In that case, wouldn’t it have made sense for Moore to find out what features of universal care in other countries could be adapted to America?

Instead of sorting through any of this, Moore and his crew go from place to place—to Canada, England, and France, as well as Cuba—and, at every stop, he pulls the same silly stunt of pretending to be astonished that health care is free.

How much do people pay here in France? Nothing? You’ve got to be kidding. But isn’t everyone taxed to death to pay for health care? Well, here’s a nice, two-income French couple who have a great apartment and collect sand from the deserts of the world. Not only haven’t they been impoverished by taxation; they travel. And so on.

In each country, Moore interviews doctors who speak proudly of how well their country’s system works. But the candor of these doctors is no more impressive than that of the corporate spokesmen Moore has confronted in the past.

No one mentions the delays or the instances of less than first-rate care. We find out that a doctor in Great Britain makes a good income (about two hundred thousand dollars), but not how medical care in, say, Toronto might differ from that in a distant rural area, or how shortages may have affected the quality of Cuban health care.

Moore winds up treating the audience the same way that, he says, powerful people treat the weak in America—as dopes easily satisfied with fairy tales and bland reassurances. And since he doesn’t interview any of the countless Americans who have been mulling over ways to reform our system, we’re supposed to come away from “Sicko” believing that sane thinking on these issues is unknown here.

In the actual political world, the major Democratic Presidential candidates have already offered, or will soon offer, plans for reform. A shift to the left, or, at least, to the center, has overtaken Michael Moore, yielding an irony more striking than any he turns up: the changes in political consciousness that Moore himself has helped produce have rendered his latest film almost superfluous. ♦

----Original Message Follows----

From: Kirby McDaniel <[EMAIL PROTECTED]>
Reply-To: Kirby McDaniel <[EMAIL PROTECTED]>
To: [email protected]
Subject: RECOMMENDED: SICKO
Date: Sun, 1 Jul 2007 00:29:14 -0500

That wicked polemicist Michael Moore is at it again. The pre- election hysteria of FAHRENHEIT 911 will not juice up audience numbers for SICKO, but I think this may be Michael Moore's most accessible film. Certainly some of the film is over the top, but once again Moore proves that his considerable heart is in the right - or should I say LEFT - place as he looks at the U.S. medical care conundrum: the best doctors and hospitals in the world but don't count on seeing them if, as Woody Guthrie once said, "you ain't got the dough-re-mi."

Kirby

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