We have sold some standees for relatively big bucks. Here are a few:
http://www.emovieposter.com/imagearchive/poster/95823.html
http://www.emovieposter.com/imagearchive/poster/3629.html
http://www.emovieposter.com/imagearchive/poster/4770.html

With questions like these, it pays to ask those who actually sell such
items, like us or Kirby, or Heritage.

Bruce

On Sat, Apr 10, 2010 at 6:03 PM, Kirby McDaniel <[email protected]> wrote:

> I think that standees are appealing to a client who has an extraordinary
> love for the particular film.  If I had a standee for
> THE HANGOVER, for example, there would be one or two guys, who, if they
> knew about it, would pay well for it.  But who are those guys?
> And where do you find them?  They are a hassle for the dealer to store and
> to ship.  That is why we limit our acquisitions in this area to films
> that already have "legs" with the collecting public.  Would I take a
> standee on BLADERUNNER?  Yes.  Would I charge handily for it.  Yes.
> Would it be a pain in the storage unit?  Yes.
>
> My other thought on this is that many of them have lost the box they
> originally came in.  To me, this spells a big difference.  Most of the
> standees
> sans box get banged around -- as our PALE RIDER standee did.  Nevertheless,
> it is Eastwood, an icon.  So I am happy to have it.  Somebody will
> come along for it.
>
>
> Kirby McDaniel
> www.movieart.net
>
>
> On Apr 10, 2010, at 4:42 PM, James Richard wrote:
>
> > Rudy,
> >
> > Wow... someone is suing someone over the value of lobby standees? What a
> strange world... Anyway, while I love seeing standees in lobbies, every time
> I've been offered one I decided to take a pass simply because they take up
> so much floor space -- you have to have a pretty large house to have even
> one standee in place and not have it completely take over the room. Most
> people I've talked to about them have similar reservations. I think this has
> served to keep prices comparatively low over the decades (except for the
> "spectacular examples for high-powered titles" you mention).
> >
> > The other caveat, if one is not purchasing the standee locally is the
> hassle and cost of shipping the things. That has to be figured into the
> final price and so cuts down the "retail value".
> >
> > The basic awkwardness and size of most standees has probably also
> contributed to them having a higher throw-away ratio than movie posters
> which can be stored in a small space. Traditionally the high throw-away
> factor would make them valuable, but because of their other aspects it
> hasn't worked out that way.
> >
> > Recently there was a standee of R2D2 from STAR WARS offered on Ebay. I no
> longer have the link to the closed auction, and while it wasn't in mint
> shape, it was still nice and given the collectible status of the film I
> thought it would go for quite a lot, but there didn't seem to be all that
> much interest in it.
> >
> > -- JR
> >
> > channinglylethomson wrote:
> >> Hello Mopo Members -- Rudy Franchi has asked me to post the following
> question to members of MOPO:
> >>
> >> I'm doing some research as an expert witness in a law suit involving
> >> the value of recent ( last 10 years )  movie theater lobby standees.
> >> Over the years I've never had much success in selling these - with the
> >> exception of a handful  of spectacular examples for high powered
> >> titles. Anyone in the group have positive/negative experiences with
> >> these boxed monsters?  Thanks, rudy franchi
> >>
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