Dave,

 

You are so right about the "softness" of most of Brando's paper, sadly
however, this is true for most of the big names of the 40's and 50's.  Who
the heck collects Gregory Peck as an actor(as opposed to a couple of titles
in which he's in) these day?  Or Spencer Tracy, or Anthony Quinn, Paul
Newman, Kirk Douglas, or even Clark Gable?  And the list goes on and on.
They're all giants, we'd all agree, but the number collectors who care about
them is dwindling fast.

Marlon Brando, I think, could've been(and one day might still be) an
exception, because he was an icon while still alive.  The added problem with
Brando paper, and now I'm getting back to the original topic,  is that the
design of the posters, even and especially for his key titles, is so poor
and uninspiring.  You can go over them one by one, Streetcar Named Desire,
The Wild One, On the Waterfront, and others, and you won't find even ONE(!)
decent design.

 

Sorry for going on like this, but that's obviously a touchy subject with
me..  ;-)

 

Zeev

 

 

From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of Dave
Rosen
Sent: Wednesday, January 05, 2011 1:15 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Wild One R60 40x60 - Anyone ever see one?

 

I agree. Rarity aside, it's all about taste, personal interest and,
ultimately, how many collectors want it and how far they are willing to go
to get it.

 

Yes, this poster is goofy-looking. Yes, the market for Brando material
outside of Waterfront and Streetcar is a little soft. However, that aside, I
have a number of motorcycle enthusiasts among my clients, as I'm sure do
many other dealers. They like their bikes and they like anything to do with
bikes, including anything to do with biker movies. This was the first biker
movie but it was released with very little paper that actually shows
motorcycles! That reason alone would probably be enough to drive a number of
collectors to want this poster...badly. They don't have to be fans of Brando
or even good poster art.

 

As to whether it would reach the appraisal estimate, only an auction could
determine that.

 

Dave

 

 

----- Original Message ----- 

From: Richard Evans <mailto:evan...@blueyonder.co.uk>  

To: MoPo-L@LISTSERV.AMERICAN.EDU 

Sent: Wednesday, January 05, 2011 12:58 PM

Subject: Re: [MOPO] Wild One R60 40x60 - Anyone ever see one?

 

Think that goofiness will be a plus for some, got a lot of kitsch appeal.

Though the irony may wear thin.

 

On 5 Jan 2011, at 17:40, Kirby McDaniel wrote:





Hi, Zeev et al 

 

I'm not a collector at all; I'm a seller.  I collect other things like
recordings and cookbooks.

Who knew?

 

The recovery of any unknown poster is interesting, particularly for a title
like THE WILD ONE.

Your DRAGSTRIP RIOT comment is very perceptive -- obviously this poster was
copied from that

very wonderful image.  In RIOT, however, the overall design of the poster,
its context and and the kinetics of the moment depicted make the
wrench-brandishing exciting and menacing, whereas in the

Brando poster it's merely goofy.

 

Please know that I'm not disparaging Rudy's evaluation of the poster.  He
could be quite correct.

With something that has not been seen, especially for an iconic figure like
Brando, one could

expect some kind of brisk performance at auction.

 

One might sell for $3500.

 

But how would five or six sell?

 

Would the price hold up as has been demonstrable for, say, DRAGSTRIP RIOT?  

 

Kirby

 

Kirby McDaniel

MovieArt Original Film Posters

P.O. Box 4419

Austin TX 78765-4419

512 479 6680  www.movieart.net

mobile 512 589 5112

 

On Jan 5, 2011, at 10:23 AM, Zeev Drach wrote:





Kirby, I'm guessing you're not a Brando collector, otherwise I can't see how
you could dismiss this find so easily.

You are right, the realistic accuracy of the design would not matter to
Brando fans and collectors (and I am one of them) in this case. I mean, the
discovery of a Brando poster, for one of his key roles, that features art
that (almost?) no one has ever seen before is a major find, in my opinion.
I think all collectors with even a passing interest in Brando would be
floored by this poster.

As to the question "who rides a motorcycle like that?" I refer you to
Dragstrip Riot(1958)
http://www.moviegoods.com/movie_poster/dragstrip_riot_1958.htm

from where the image was most certainly lifted.

I'm not familiar with the design of the Hot Blood insert.  Is it different
from the standard Wild One insert?

Zeev

From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of Kirby
McDaniel
Sent: Tuesday, January 04, 2011 11:44 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Wild One R60 40x60 - Anyone ever see one?

Thanks for posting this.  I did not see my esteemed colleague Mr. Franchi on
ANTIQUES ROADSHOW with this undeniably rare reissue 40x60, so I am
interested to read this post.

Rare it may be, and perhaps some Brando completist would pay the estimate,
but if the design of this poster were to count at all, the film would be
entitled THE WEIRD ONE.

Who rides a motorcycle like that?  Waving a wrench about!  Ludicrous!  And
where is the locale?  Is this in the film?  They look like they're riding
thru the set of CHEAPER BY THE DOZEN.

Ugly!  Give me one of the nice lobbies and I'll call that the prettiest
poster on the film.  Or the HOT BLOOD insert.

My two centavos.

Kirby McDaniel

www.movieart.net

On Jan 4, 2011, at 9:15 PM, Dave Rosen wrote:






Just watched this online. It's Rudy's appraisal of a Wild One 40x60 from
last night's Antiques Roadshow. Never saw one of these before. Might be the
best US paper for the movie.

http://www.pbs.org/wgbh/roadshow/archive/201003A12.html

Dave

Posteropolis Vintage Movie Posters

http://www.posteropolis.com/

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