I haven't seen The Artist yet, but will take a bet that it was not the 
director's original intention to use the Herrmann, but that he fell in love 
with his temp track and then wouldn't replace it with scored music.  The most 
famous example of this, of course, is Kubrick scrapping poor Alex North's 
perfectly serviceable score for 2001 in favour of the rather better known tunes 
he already had on LP....



________________________________
 From: David Kusumoto <[email protected]>
To: [email protected] 
Sent: Tuesday, 14 February 2012, 4:09
Subject: [MOPO] OT: Bernard Herrmann, "Vertigo" and "The Artist"
 

 
Note:  The links below have been tested and are safe.

* I went to see "The Artist" a second time to confirm my initial positive 
feelings about it.  If you've seen "Vertigo" (1958) - then you already know its 
score by 
master composer Bernard Herrmann is a classic.  It's so effective at 
bringing out feelings of tragedy - or inexplicable longing for something 
unattainable
 - that the musical passage below was brought back for "The Artist" - and is 
heard in the film in its entirety:

http://bit.ly/waRJoP

* Some film buffs found the Herrmann music inappropriate in "The Artist."  But 
I thought it enhanced the picture despite being applied to a story that has an 
old-fashioned ending.  And I bet most audiences today cannot reference the 
music back to "Vertigo."

* And for those who can't get enough of Herrmann -- here's the chilling theme 
that runs over the opening credits of "Vertigo."  (The theme below is NOT heard 
in "The Artist"). 


http://bit.ly/xovThM

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