Great poster. It's at times like this I wish MoPo had a LIKE button.

 

Dave

 

  _____  

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of David
Kusumoto
Sent: August-14-14 4:40 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Alternative movie posters

 

For what it's worth, I purchased the 18 x 24 silk screen Alamo Drafthouse
poster below in 2010 because I thought it was a striking image, especially
with the orange "stool pigeon" overlay.  I didn't think about its value nor
whether it might be a "faux limited edition" akin to Hummel figurines or
anything offered by the Danbury Mint.  I went for it exclusively because of
its art.  - d.

 http://imagizer.imageshack.us/a/img538/7775/MSzFt0.jpg

  _____  

Date: Wed, 13 Aug 2014 16:44:56 -0400
From: posteropo...@bell.net
Subject: Re: New trailer for movie poster doc Twenty-Four By Thirty-Six
To: MoPo-L@LISTSERV.AMERICAN.EDU

Rudy, I understand your doubts about the limited edition market and share
them to some degree.

 

However, I also look at it this way: Most collectors of alternative posters
do so for the art first, the movie second and the possibility of
appreciation third. There are undoubtedly some people out there buying under
the unfortunate impression that the posters may increase in value. My
feeling, though, is that, as with vintage posters, most collectors of these
posters do so because they love the posters themselves. I can't speak to the
motives of the people printing them, I'm not a mind reader. I can say that I
believe most of the artists designing them are as passionate about the art
and the movies as the collectors.

 

Another thing worth pointing out, no matter what you think of alternative
posters, is that the vast majority of collectors are young and that is a
good thing for the poster hobby. Especially since it seems some of them (I
can't quote you any numbers) go on to develop an interest in vintage
posters. So maybe the alternative posters can be seen as a gateway to
collecting vintage. Or maybe that's wishful thinking on my part. Only time
will tell.

 

This is not THE movie poster documentary. It is A movie poster documentary,
with the primary focus on alternative posters (that's why the title is
Twenty-Four By Thirty-Six and not Twenty-Seven By Forty-One). But the
director, Kevin Burke is making an effort to acknowledge old school posters
and poster art, thus the segments on Amsel. Alvin, Struzan, etc.

 

I think that makes it a laudable enterprise and, with all due respect (as
they always used to say on the Sopranos), not one to be sneered at.

 

Dave

 

 

 

  _____  

From: rudynostal...@gmail.com [mailto:rudynostal...@gmail.com] On Behalf Of
Rudy Franchi
Sent: August-13-14 3:24 PM
To: Posteropolis
Cc: MoPo-L@listserv.american.edu
Subject: Re: [MOPO] New trailer for movie poster doc Twenty-Four By
Thirty-Six

 

Judging by the traierl plus the material on the film's website, there's
still room for a real film about movie posters....rather than the created to
be sold,  limited edition ( for now ) trendy Texan forced weirdness. When
the this poster Ponzi scheme fails, the presses will be cranked up to flood
the market with "2nd Editions" that will cast the validity of the entire
genre into doubt.  rudy

 

On Wed, Aug 13, 2014 at 2:08 PM, Posteropolis <posteropo...@bell.net> wrote:

Filmmaker Kevin Burke has just released the latest trailer for his upcoming
documentary on the art of movie posters, Twenty-Four By Thirty-Six:

http://www.posteropolis.com/blogs/news/15116181-new-trailer-for-movie-poster
-doc-twenty-four-by-thirty-six

 

Dave Rosen

Posteropolis Vintage Movie Posters

http://www.posteropolis.com/

 

 

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