Yuck to the “wife” statement. I’m a wife and have no problem with buying 
posters.   

Sent from my iPhone 

> On Mar 3, 2021, at 12:09 AM, David Kusumoto <davidmkusum...@hotmail.com> 
> wrote:
> 
> 
> I remember the Style D when it came out.  It appealed to us "old boomers" who 
> understood the "retro spirit" of Lucas's vision of Star Wars being a vintage 
> weekend matinee serial. My first was TACKED onto my bedroom wall and my pals 
> would say, "That doesn't look like a Star Wars poster." - hanging as it did 
> next to my equally TACKED Style A.  (I never owned the Style C.)  Later, I 
> heard people call it the "circus poster," and I wondered, "who comes up with 
> these names?"
> 
> My guesses about why Style D never caught fire are - 1) It's an homage and 
> thus doesn't look like what collectors expect from SW, notwithstanding 
> Lucas's preference for it, and, 2) Style D was issued in 1978, deep into its 
> FIRST run but before the celebrated "first anniversary" poster that fetches 
> $$ today.  I also think there's a bias for 1977 issue paper vs. later 
> re-issues - and the style D was also re-issued as a fan-club one-sheet in 
> 1992.  In my lifetime, I think I've owned about 7-8 style As, including a few 
> first printings which - back then - I didn't know the difference and why they 
> might be important to later generations.  (My first posters were purchased at 
> Comic-Con in San Diego.)  In hindsight, I now find the style A to be color 
> "drab" - which is a personal thing yet consistent with my early collecting 
> years of treating posters like books, e.g., caring only about first-issue 
> country-of-origin one-sheets of films that I had to love MORE than the 
> poster.  It's why I hung onto the pre-Awards "Graduate" one-sheets despite 
> the BQ looking better.
> 
> Of course, if I could be young again, I'd chase art regardless of what I 
> thought of a film's merits, and I'd go heavy into BQs and Australian 
> daybills.  I never collected horror because as I say, back then I had to LOVE 
> the movie too.  And "Frankenstein" was the only classic that made the cut - 
> even though I could never afford it, then and now.  When I re-discovered Rita 
> Hayworth via "Gilda," the Style B was the perfect match of poster art with a 
> script loaded with sexual tension, power and ownership themes, delivered via 
> double entendrés which I felt were ahead of its time.  It's a kinky picture.  
> If I could do a "rewind" - I'd chase "The Invasion of the Saucer Men" with 
> those cabbage head aliens - but because my wife forbade horror images in the 
> house - I would've kept that poster in my work room so she wouldn't be 
> creeped out by it.  
> 
> It was Freeman Fisher who said it best.  "The greatest obstacle to collecting 
> posters you want isn't money - it's having wives." -d.
> 
> From: MoPo List <mopo-l@LISTSERV.AMERICAN.EDU> on behalf of Smith, Grey - 
> 1367 <gre...@ha.com>
> Sent: Tuesday, March 2, 2021 8:54 AM
> To: MoPo-L@LISTSERV.AMERICAN.EDU <MoPo-L@LISTSERV.AMERICAN.EDU>
> Subject: Re: Auction Prices
>  
> Hi Tommy and MOPO,
> I’m not sure I have any terrific insight other than business seems to have 
> grown well during the last year and likely due to a number of reasons.
> I suggest the already discussed stay at home element makes people more 
> interested in online activity and the need of a pleasant distraction. I also 
> agree that spending on other entertainment has been curtailed so seems more 
> activity in buying items of personal interest. I’m not so sure how much is 
> being spent by those wishing to more diversely invest in their portfolio in 
> collectibles, but there surely must be that element too.
> I’m thankful for the gain in the hobby and hope perhaps those who’ve not 
> spent on posters before will, as we always seem to have a steady growth in 
> the hobby with new buyers.
>  
> -----
>  
> From: MoPo List <mopo-l@LISTSERV.AMERICAN.EDU> On Behalf Of Tommy Barr
> Sent: Tuesday, March 2, 2021 8:07 AM
> To: MoPo-L@LISTSERV.AMERICAN.EDU
> Subject: Re: [MOPO] Auction Prices
>  
> External Email
> 
> My favourite Star Wars poster is the style D one sheet, which apparently was 
> the one George Lucas had displayed in his office, yet it doesn't seem to be 
> very popular among collectors. As regards the poster auction prices, I wonder 
> if Grey or Bruce can offer any insights?
>  
> Tommy
> 
> 
> -----
> 
> 
> 
> 
> 
> 
> 
> 
>  
> On Tue, 2 Mar 2021 at 12:40, David Kusumoto <davidmkusum...@hotmail.com> 
> wrote:
> 
> Helmut and Tommy - you guys are onto something.  Because yesterday I was 
> tracking a Blazing Saddles insert at Heritage and I saw it jump to near $200 
> with its 20% buyer's premium, a poster that can be had for a little more or a 
> little less, depending upon condition and this one was pretty nice.  A Star 
> Wars public health vaccination poster sold for a hefty amount too.  Yes, 
> there is something going on with the market. 
>  
> Meanwhile, at Nathalie, LOL. Yes I agree with you - a Johansson image on a 
> poster is definitely one of personal taste.  Maybe I, too, wouldn't pay "two 
> cents" for an image of her on a poster from any of her recent films - 
> (although I did like her in "Hitchcock" and "Marriage Story") - and even 
> though she's almost jail bait in Sofia Coppola's Oscar-winning "Lost in 
> Translation," a contemplative drama more than a comedy - I WOULD pay two 
> cents for this....
>  
> https://imagizer.imageshack.com/img923/8798/8brXpr.jpg
> 
>  
> ... but I wouldn't pay a nickel for the satirical poster below from 1997, LOL 
> - (even though a ton of Seinfeld fans would)...
> 
> https://imagizer.imageshack.com/img924/8946/IBnMBj.jpg
> 
> 
>  
>  
> But here's a question I'll throw out there for MoPo'ers and buyers and 
> dealers to think about.  It's about "Star Wars" posters from 1977.  Now that 
> at least three generations have embraced the first 1977 film - I'm puzzled 
> why this 43-year-old half-sheet...
>  
> https://imagizer.imageshack.com/img924/5577/fZ6t6z.jpg
> 
>  
> 
> ...which has arguably better art by Tom Jung than other domestic '77 issue 
> posters - (save for probably the Chantrell Style C) - rarely sells for more 
> than $1,000.  It seems stuck in that range like a money market fund with no 
> interest.  The half-sheet has never been implicated among the bootlegs like 
> the minty inserts, the Style A or Style C knock-offs.  Yet when offered - 
> it's not just underrated - but unloved - even though to me, it's a great 
> collage of what's in the film.  Do collectors think the half-sheet format 
> hurts it?  As a horizontal poster, maybe not as good as the Chantrell British 
> Quad which resembles the Style C - but I think it's still good - with an 
> image only seen on the half-sheet.  I thought maybe the reason is some think 
> it's "too busy."  Can't put my finger on why it's regarded as an "also-ran," 
> not as good as the other domestic 1977 posters.
>  
> *perplexed​* -d.
>  
> From: MoPo List <mopo-l@LISTSERV.AMERICAN.EDU> on behalf of Helmut Hamm 
> <texasmu...@web.de>
> Sent: Monday, March 1, 2021 6:03 AM
> To: MoPo-L@LISTSERV.AMERICAN.EDU <MoPo-L@LISTSERV.AMERICAN.EDU>
> Subject: Re: Auction prices
>  
> Tommy,
>  
> I think there is one simple reason: With shops, bars, and restaurants closed 
> in wide parts of the world and no holiday trips in sight either, many people 
> have a lot of extra cash to spend. Many of them are working from their home 
> office right now, and no commuting means more extra time to spend. And with 
> the kids going on your nerve all day long, online shopping might deliver a 
> much needed self-gratification. Well, that was three simple reasons...
>  
> Plus, many new collectors may have the false impression that buying at 
> auction sort of guarantees a 'fair market price'. In cases like a rare and 
> desirable Tarantino poster, this might even be true. If you are bidding 
> against another newbie, it's not. Last not least, people are lazy. Ooops, 
> that five simple reasons now.
>  
> Helmut
>  
>  
> Am 01.03.2021 um 12:50 schrieb Tommy Barr <tommymb...@gmail.com>:
>  
> After our musings on the prices fetched at the Ewbank's auction I notice that 
> HA has also seen some strange price hikes at the weekend. For example, Battle 
> of Britain o/s folded 7.5 @$300; The Lion King o/s rolled 8.5 @$324: Titanic 
> 2xo/s rolled 8.5 @$324.  Given that those can be bought online for a lot 
> less, as has been the case with quite a number sold at auction recently, it 
> leaves me perplexed as to what is going here. I don't think there is any one 
> simple reason but at the moment movie poster values are proving weirdly 
> unpredictable.
>  
> Tommy
>  
> From: S Yafet <sya...@gmail.com>
> Sent: Sunday, February 28, 2021 2:59 PM
> To: David Kusumoto <davidmkusum...@hotmail.com>
> Cc: MoPo-L@listserv.american.edu <MoPo-L@listserv.american.edu>
> Subject: Re: [MOPO] Ewbanks Auction today - and thoughts about Once Upon A 
> Time in Hollywood posters
>  
> Very interesting reading.  
> Guess it's all personal.  I wouldn't pay 2 cents for a Johansson image.
>  
> Nathalie 
>  
> On Sun, Feb 28, 2021, 1:36 AM David Kusumoto <davidmkusum...@hotmail.com> 
> wrote:
> I've noticed similar trends of recent titles fetching higher prices.  Newbies 
> tend to temporarily push up prices for posters still in release.  (I remember 
> one-sheets from "Titanic" selling for crazy prices more than 20 years ago 
> before falling to earth - and recently, I saw the same for one-sheets from 
> "The Shape of Water" and "Parasite" after winning the Oscar for Best 
> Picture.) 
>  
> But there is another "outlier" of recent note, certainly not vintage - and 
> it's the posters from Quentin Tarantino's "Once Upon A Time in Hollywood" 
> from 2019.  The "wilding" Italian-style posters by old-school artists Martin 
> Duhovic and Renato Casaro fetch prices north of $1K - but even standard 
> one-sheets with collage art by another classic artist - (Steven Chorney) - 
> sell at or near the $100 mark in better condition. 
>  
> Almost exactly two years ago - "Once Upon A Time..." was "teased" as a summer 
> 2019 release - and two one-sheets were shipped to theaters - an international 
> "COMING SOON" - and a domestic "JULY" - the latter was tagged with a "This 
> film has not yet been rated" in the lower left.  Both were popular - but the 
> international versions were more - and still remain - plentiful. 
>  
> https://imagizer.imageshack.com/img924/6972/krbNwK.jpg
> 
>  
> https://imagizer.imageshack.com/img922/7235/yfEDhd.jpg
> 
>  
> By the spring of 2019, though, the MPAA issued its "R" rating for Tarantino's 
> film.  Theaters were already displaying the other one-sheets.  Nevertheless, 
> Sony-Columbia went ahead and printed a third one-sheet - a small batch with 
> the "R" rating in the lower left corner.  This became the true domestic 
> "final" - even though few theaters displayed it. 
>  
> It took me FOREVER for me to find this version and the difficulty made it 
> obvious there weren't many - and those that I did see - were unused but 
> roughly handled by re-sellers.  I mention this because it was right here on 
> MoPo - that I first talked about the differences in the three one-sheets and 
> why I was looking for the "R" rated final.  I solicited dealers everywhere, 
> including here on MoPo.  Not even the reliable Dale Dilts - who specializes 
> in newer release posters, could help.  Many months later - I finally found 
> one in nice condition - from an amateur re-seller in Pennsylvania.
>  
> https://imagizer.imageshack.com/img923/8048/Hs9kJW.jpg
> 
>  
> Well, earlier this month, for the first time ever - eMoviePoster put up all 
> three known 1-sheets featuring the Steven Chorney art - up against each 
> other.  Apparently, a few others had the same info that I did. 
>  
> 1. International double-sided advance (which is the most plentiful) - sold 
> for $108. 
> 2. Domestic USA single-sided advance with no rating - sold for $142. 
> 3. Domestic USA double-sided advance FINAL with the R rating - sold for $285. 
>  ​
> eMoviePoster had sold the "R" version just once before - a typical "fair" 
> condition example that still fetched $90.  I'm not sure if Heritage has ever 
> sold the "R" version - but it and eMoviePoster have both sold the 
> international and the unrated domestic enough times - to rack up a track 
> record of prices realized. 
>  
> What I'm leading to is I have a funny feeling that no matter how one feels 
> the Tarantino film - this "standard theatrical" one-sheet - has a shot at 
> joining this century's "Lost in Translation" - (Johansson image, 2003) - for 
> being consistently sought after by collectors.  I remember consigning a giant 
> vinyl banner with the Johansson image (I had nowhere to hang it) - I was 
> shocked when it sold for more than $1,000.  Even high grade DS one-sheets 
> with her image fetch hundreds of $$$.  I could be wrong, but prices for the 
> Tarantino poster haven't dropped yet.
>  
> Forgive the long ramble, just musings sparked by Helmut's and Tommy's 
> observations. - d. 
>  
> From: MoPo List <mopo-l@LISTSERV.AMERICAN.EDU> on behalf of Tommy Barr 
> <tommymb...@gmail.com>
> Sent: Saturday, February 27, 2021 6:06 AM
> To: MoPo-L@LISTSERV.AMERICAN.EDU <MoPo-L@LISTSERV.AMERICAN.EDU>
> Subject: Re: Ewbanks Auction today
>  
> I watched the auction sporadically and agree that there were some strange 
> results. I think, however, that prices have been volatile on all the auction 
> sites recently, even HA and emovie showing some anomalous results.Some 
> posters which normally fetch mid double figures have been going for three 
> figures, and the bids on many mid-level items seem to have grown 
> exponentially. No idea why, but I can't accept the premise that there are 
> lots of new collectors suddenly coming in to the market. I would have thought 
> that anyone starting to collect now would initially be looking for posters 
> from the comic-inspired superhero movies, Bond or Star Wars, but there 
> weren't many of those in the Ewbank's auction.
> Tommy
>  
> On Fri, 26 Feb 2021 at 21:34, Helmut Hamm <texasmu...@web.de> wrote:
>  
> Over the day, I watched the Ewbanks auction on and off and the results were 
> quite astounding: The best thing they had was a GET CARTER quad, which 
> hammered at 3,800 Pounds. A few other lots sold in the 1000-2000 Pound range.
>  
> Much more interesting was the vast amount of low-end material that sold for 
> astounding prices: A french petite for THE GOONIES hammered for 100 Pounds. 
> That‘s about 125 with premium, plus VAT, plus shipping. It shouldn‘t be too 
> hard to find one of these on ebay France for 10 to 15 Euros. There were tons 
> of stuff like that, including bulk lots, Argentine posters, Spanish US 
> posters, a lot of bottom end ebay material. The auction lasted overall 
> several hours and I had other things to do in between, but I did not see a 
> single pass.
>  
> Most of the lots sold today are totally boring for the seasoned collector, 
> but exactly the sort of material that might appeal to beginners.
>  
> It seems to me there was A LOT of new blood present in this auction. 
> Obviously, it makes online buying a lot harder for me, but in the end I guess 
> it can only be good for the hobby. 
>  
> HH
> 
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