Good point Alan
i sold a bigas life commercial poster for years of Yheda Bara,,ona fainting couch
I have not been asked for Theda forat least 2o years,,,
I had a bill Boyd early pi 8 x10 and sold a collection to Jim Episale of Original George Hurrell stamped 11 x 14and also CS bull stampted 11x14

the collecting field is different then the novice movie buff that will accept a reprint germany and europe did many fine reprintstaken off classic posters,,so its theart just not fromtheperiod

wheni started collectors wanted both Originals at thetime we got them Folded one sheets,,then people asked For Rolled..andthen NSS went under so it was a mix of everything..I sold the french huge posters thatwere beautiful buti could not display them ona wall so i would unfold them..

back theni could get themin 80s for 15,00 each

the theater poster exchange in Memphis had some great titles as wellas people in Film collectors world

dennis clark in Cinci also had good new er material as wellas Richard Danilowitz in Boston..therwas a big find in washinton state of 3 sheets and 6 sheets like zombies ofthe stratosphere,,,theywere like10-15 and in unused condition.. most dealers i known become addicts ofthe stuff as we buy collections..and findss we always haveas someone calls... I stopped aggressive buying wheni got sickand i didntlikethe newer art of newer movies as itseemed to be all computer art Photoshop...so afterlike 1994 I prefered the pre 90s...whenwe had painters,,

i also had my major 100k of video posters around 1994 so also the studios went to 27 x 49 vs 27 x 41 I had 13 5 foot high pallets of flat video posters itweighed a ton..I sold them to California...and shipped by Train car,, meanwhile i see new kids getting into posters butto think my son will be 36 soon even thekids are getting older
the biggest thingis health andim on my way out
i meta cab driver who was my age he was 65 andhe started to buy stock berkshire hatawayand did very well he also owns like 150acres of trees and water rights in west Virginia and in his mind he willlive until hos 80s i said well wht ifyou sold the water rights off?? he said never..peopel dont factorin health or death..im sure King tut thought thesame and sothey hord stuff as thest thier treasure.... but no one takes it with them.... so thats why i advocate to give it away or give to thekids..most would not even want itas theydontsee a value in it like a Groucho marx still with Carme miranda..but a serious collector would love itG whats odd is how many collectors havea exit plan,,not many so i am not sure where the stuff goes,but probate people lawyers contact dealers and sell at estate sales.. its all good as ifthe familys can get some cashand the material gets in fellow collectors or dealers hands t hats good. However ive seen much fighting over the stuff in families as many just want to ransack familys when they are depressed and not aware ofwhat they even have in collectables.. so i suggest get a plan before you die as you could stipilate what gos where..
hope that helps some of You
most dont even consider when or how they may pass..
 best Tom
Hollywood dream factory®
since 1977
God bless

On 2022-12-04 03:05, Alan Adler wrote:
Dear Mopes -

I’ve really enjoyed this thread.

The uneducated cult of what came out last month vs. time-tested titles
is also alive and well in the poster game as you all know.
But old icons die like everthing else.
It’s a hobby of mine to try and keep them alive a bit longer - buy
my personal favorites a litte more screen time.

Ask 100 teenagers who Hopalong Cassidy was and how many do you think
would know the answer?
History is a matter of perspective and time.
It’s point of view that creates fandom.
That’s often a function of the times - the past, the present and the
future.
Those silly lists on the internet about the top 20 horror films that
have 7 titles selected from the past 10 years just plan pisses me off.

As far as a best picture list goes - or any review of a movie (which I
do my best not to read)…
I’m old-school -
I don’t like anybody trying to sell me something, tell me what I’m
supposed to like, or tell me what’s trash or what’s gold.
I make my own lists, form my own opinions and dig through the trash to
find the gems that catch my eye.

Alan

On Dec 3, 2022, at 8:44 PM, Nemo None <sya...@gmail.com> wrote:

Bruce, actually I watched a lot of that Jeanne, etc. It was trying
so hard to be arty but I found it dull and revolting. It was on when
I had to stay up for something else and I was too tired to change
the channel.
Nathalie

On Sat, Dec 3, 2022, 8:38 AM Bruce Hershenson
<brucehershen...@gmail.com> wrote:

I am likely one of the only people here who saw all of the almost
4 HOURS of “Jeanne Dielman, 23, quai du Commerce, 1080 Bruxel”
in a theater. and it the ultimate case of The Emperor's New
Clothes! How the 1,500 people who made this dreadful pretentious
list did so, apparently with a straight face, is beyond me. Oh
wait, there are very few comedies on the list, indicating these
people completely lack a sense of humor. The order of the movies
is flat-out ridiculous. But I am more bothered by the films and
directors left off, than the ones included. And they were "bumped"
off to make room for recent movies, movies by women, and movies by
minorities. SHOULDN'T A "GREATEST" LIST COMPLETELY IGNORE THOSE
FACTORS? Just admit it is a list that is designed to get people to
see many great overlooked movies, and I am fine with it. BUT A
LIST OF THE "100 GREATEST FILMS OF ALL TIME"? NOT REMOTELY CLOSE
ON ANY LEVEL.

SIGHT & SOUND’S TOP 100 GREATEST FILMS OF ALL TIME 2022

1. “Jeanne Dielman, 23, quai du Commerce, 1080 Bruxel”
(Chantal Akerman, 1975)
2. “Vertigo” (Alfred Hitchcock, 1958)
3. “Citizen Kane” (Orson Welles, 1941)
4. “Tokyo Story” (Ozu Yasujiro, 1953)
5. “In the Mood for Love, Wong Kar-wai, 2001)
6. “2001: A Space Odyssey” (Stanley Kubrick, 1968)
7. “Beau travail” (Claire Denis, 1998)
8. “Mulholland Dr.” (David Lynch, 2001)
9. “Man with a Movie Camera” (Dziga Vertov, 1929)
10. “Singin’ in the Rain” (Stanley Donen and Gene Kelly,
1951)
11. “Sunrise: A Song of Two Humans” (F.W. Murnau, 1927)
12. “The Godfather” (Francis Ford Coppola, 1972)
13. “La Règle du Jeu” (Jean Renoir, 1939)
14. “Cléo from 5 to 7” (Agnès Varda, 1962)
15. “The Searchers” (John Ford, 1956)
16. “Meshes of the Afternoon” (Maya Deren and Alexander
Hammid, 1943)
17. “Close-Up” (Abbas Kiarostami, 1989)
18. “Persona” (Ingmar Bergman, 1966)
19. “Apocalypse Now” (Francis Ford Coppola, 1979)
20. “Seven Samurai” (Akira Kurosawa, 1954)
21. (TIE) “The Passion of Joan of Arc” (Carl Theodor Dreyer,
1927)
21. (TIE) “Late Spring” (Ozu Yasujiro, 1949)
23. “Playtime” (Jacques Tati, 1967)
24. “Do the Right Thing” (Spike Lee, 1989)
25. (TIE) “Au Hasard Balthazar” (Robert Bresson, 1966)
25. (TIE) The Night of the Hunter” (Charles Laughton, 1955)
27. “Shoah” (Claude Lanzmann, 1985)
28. “Daisies” (Věra Chytilová, 1966)
29. “Taxi Driver” (Martin Scorsese, 1976)
30. “Portrait of a Lady on Fire” (Céline Sciamma, 2019)
31. (TIE) “Mirror” (Andrei Tarkovsky, 1975)
31. (TIE) “8½” (Federico Fellini, 1963)
31. (TIE) “Psycho” (Alfred Hitchcock, 1960)
34. “L’Atalante” (Jean Vigo, 1934)
35. “Pather Panchali” (Satyajit Ray, 1955)
36. (TIE) “City Lights” (Charlie Chaplin, 1931)
36. (TIE) “M” (Fritz Lang, 1931)
38. (TIE) “À bout de souffle” (Jean-Luc Godard, 1960)
38. (TIE) “Some Like It Hot” (Billy Wilder, 1959)
38. (TIE) “Rear Window” (Alfred Hitchcock, 1954)
41. (TIE) “Bicycle Thieves” (Vittorio De Sica, 1948)
41. (TIE) “Rashomon” (Akira Kurosawa, 1950)
43. (TIE) “Stalker” (Andrei Tarkovsky, 1979)
43. (TIE) “Killer of Sheep” (Charles Burnett, 1977)
45. (TIE) “North by Northwest” (Alfred Hitchcock, 1959)
45. (TIE) “The Battle of Algiers” (Gillo Pontecorvo, 1966)
45. (TIE) “Barry Lyndon” (Stanley Kubrick, 1975)
48. (TIE) “Wanda” (Barbara Loden, 1970)
48. (TIE) “Ordet” (Carl Theodor Dreyer, 1955)
50. (TIE) “The 400 Blows” (François Truffaut, 1959)
50. (TIE) “The Piano” (Jane Campion, 1992)
52. (TIE) “News from Home” (Chantal Akerman, 1976)
52. (TIE) “Fear Eats the Soul” (Rainer Werner Fassbinder,
1974)
54. (TIE) “The Apartment” (Billy Wilder, 1960)
54. (TIE) “Battleship Potemkin” (Sergei Eisenstein, 1925)
54. (TIE) “Sherlock Jr.” (Buster Keaton, 1924)
54. (TIE) “Le Mépris” (Jean-Luc Godard 1963)
54. (TIE) “Blade Runner” (Ridley Scott 1982)
59. “Sans soleil” (Chris Marker 1982)
60. (TIE) “Daughters of the Dust” (Julie Dash 1991)
60. (TIE) “La dolce vita” (Federico Fellini 1960)
60. (TIE) “Moonlight” (Barry Jenkins 2016)
63. (TIE) “Casablanca” (Michael Curtiz 1942)
63. (TIE) “GoodFellas” (Martin Scorsese 1990)
63. (TIE) “The Third Man” (Carol Reed 1949)
66. “Touki Bouki (Djibril Diop Mambéty 1973)
67. (TIE) “The Gleaners and I” (Agnès Varda 2000)
67. (TIE) “Metropolis” (Fritz Lang 1927)
67. (TIE) “Andrei Rublev” (Andrei Tarkovsky 1966)
67. (TIE) “The Red Shoes” (Michael Powell & Emeric Pressburger
1948)
67. (TIE) “La Jetée” (Chris Marker 1962)
72. (TIE) “My Neighbour Totoro” (Miyazaki Hayao 1988)
72. (TIE) “Journey to Italy” (Roberto Rossellini 1954)
72. (TIE) “L’avventura” (Michelangelo Antonioni 1960)
75. (TIE) “Imitation of Life” (Douglas Sirk 1959)
75. (TIE) “Sansho the Bailiff” (Mizoguchi Kenji 1954)
75. (TIE) “Spirited Away” (Miyazaki Hayao 2001)
78. (TIE) “A Brighter Summer Day” (Edward Yang 1991)
78. (TIE) “Sátántangó” (Béla Tarr 1994)
78. (TIE) “Céline and Julie Go Boating” (Jacques Rivette
1974)
78. (TIE) “Modern Times “(Charlie Chaplin 1936)
78. (TIE) “Sunset Blvd.” (Billy Wilder 1950)
78. (TIE) “A Matter of Life and Death” (Michael Powell &
Emeric Pressburger 1946)
84. (TIE) “Blue Velvet” (David Lynch 1986)
84. (TIE) “Pierrot le fou” (Jean-Luc Godard 1965)
84. (TIE) “Histoire(s) du cinéma” (Jean-Luc Godard 1988-1998)
84. (TIE) “The Spirit of the Beehive” (Victor Erice, 1973)
88. (TIE) “The Shining” (Stanley Kubrick, 1980)
88. (TIE) “Chungking Express” (Wong Kar Wai, 1994)
90. (TIE) “Madame de…” (Max Ophüls, 1953)
90. (TIE) “The Leopard” (Luchino Visconti, 1962)
90. (TIE) “Ugetsu” (Mizoguchi Kenji, 1953)
90. (TIE) “Parasite” (Bong Joon Ho, 2019)
90. (TIE) “Yi Yi” (Edward Yang, 1999)
95. (TIE) “A Man Escaped” (Robert Bresson, 1956)
95. (TIE) “The General” (Buster Keaton, 1926)
95. (TIE) “Once upon a Time in the West” (Sergio Leone, 1968)
95. (TIE) “Get Out” (Jordan Peele, 2017)
95. (TIE) “Black Girl” (Ousmane Sembène, 1965)
95. (TIE) “Tropical Malady” (Apichatpong Weerasethakul, 2004

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