FWIW, I think the algorithm to come up with a voicing is the least
important part of this project.  Deciding on on overall idesign for how the
feature would work in general is much more important.  So hopefully rhe
forum thread generates some good ideas there.

On Wed, Mar 16, 2016 at 7:50 AM Johannes Wegener <
musesc...@johanneswegener.de> wrote:

> Hi,
> I'm also very interested in this topic. I just wonder if it shouldn't be
> too complicated to just have a priority for extensions (like root has
> lowest priority, fifth next lowest - third has very high priority and
> tensions are higher than root and fifth but maybe the 7th is more
> important than the rest etc.) and count the movement between two chords
> e.g. in semitones.
> Now you try to have the notes with the highest priority while having as
> little movement as possible. Probably by just using the old chord as a
> new starting point, look for possible fitting notes for the new chord,
> take out non fitting notes and look one semitone up/down, than two and
> so on until your list of non fitting notes is empty.
> Now you can check about the priority by first examine how many distinct
> notes the chord has (doesn't make sense to search for a root
> replacement, if you have a "standard" 3-tone chord) and try to eliminate
> the root for example.
> One could than fiddle around with the parameters of that algorithm to
> get a good sounding progression.
>
> What do you think about that?
>
>
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