I get around the Hz spec by calculating 440*2^((x-69)/12)
to get MIDI notes. On 2/25/12, Brad Garton <gar...@columbia.edu> wrote: > On Feb 25, 2012, at 2:23 PM, Bill Schottstaedt wrote: > >>> The only language I'm aware of that allows the design of direct >>> sample-massaging code in the language itself is chuck. >> >> CLM? Or do I misunderstand something? > > Aha -- my 'weasel-wording' was "aware of". Of course CLM! My > awareness ain't what it used to be. Sorry Bill! > >> When I put on my old >> and battered composer's hat, I'd say "the GUI made me do it" >> is not very persuasive. In linguistics, it's known as >> the Great Eskimo Vocabulary Hoax. I wrote the same basic kinds >> of music whether by hand ("Daily Life"), using SCORE ("Sandcastle"), >> using Pla + Samson box (many tunes), etc. > > For me it's more the point of what kind of music is more 'enabled' by > particular design decisions. The 50000 words for "snow" notwithstanding, > I bet that people using a software instrument with the pitch specification > in Hz will generally do different musics than people who use one with > a 12-tone ET specification. Yeah, I know you can get around these > specifications, but still... > > brad > http://music.columbia.edu/~brad > > -- > dupswapdrop -- the music-dsp mailing list and website: > subscription info, FAQ, source code archive, list archive, book reviews, dsp > links > http://music.columbia.edu/cmc/music-dsp > http://music.columbia.edu/mailman/listinfo/music-dsp > -- dupswapdrop -- the music-dsp mailing list and website: subscription info, FAQ, source code archive, list archive, book reviews, dsp links http://music.columbia.edu/cmc/music-dsp http://music.columbia.edu/mailman/listinfo/music-dsp