> > Except for 1812 Overture. That sinks rather near DC at substantial > amplitude, given the live cannon in the percussive section.
As a human being, I tend to view DC as a non issue. I can't hear it so it may as well not be there. (although I'm sure a case could be made for "feeling" super low frequencies) As a dsp programmer, the problem with DC is that it eats dynamic range during processing. After reconstruction... Well, that's not really my problem. :-) On Thu, Mar 27, 2014 at 6:29 PM, Sampo Syreeni <de...@iki.fi> wrote: > On 2014-03-27, gwenhwyfaer wrote: > > In music the distinction isn't terribly important, because the lower >> limit of the bandwidth is about 20Hz; other applications may find it more >> useful. >> > > Except for 1812 Overture. That sinks rather near DC at substantial > amplitude, given the live cannon in the percussive section. Of course some > bright fella then also went ahead and invented a speaker coupled right > downto static pressure, presumably just to piss the rest of us off: > https://en.wikipedia.org/wiki/Rotary_woofer . > > I should also go kill myself just about now. > -- > Sampo Syreeni, aka decoy - de...@iki.fi, http://decoy.iki.fi/front > +358-40-3255353, 025E D175 ABE5 027C 9494 EEB0 E090 8BA9 0509 85C2 > > -- > dupswapdrop -- the music-dsp mailing list and website: > subscription info, FAQ, source code archive, list archive, book reviews, > dsp links > http://music.columbia.edu/cmc/music-dsp > http://music.columbia.edu/mailman/listinfo/music-dsp > -- dupswapdrop -- the music-dsp mailing list and website: subscription info, FAQ, source code archive, list archive, book reviews, dsp links http://music.columbia.edu/cmc/music-dsp http://music.columbia.edu/mailman/listinfo/music-dsp
