>Their history definitely warrants that they that they be included as a
single entity in MB.
 
definitely agree with this. their solo releases (such as they are) came
some while after their collaboration began. Hall & Oates releases form
the vast bulk of both men's recorded output. they're essentially a band
with an unimaginative name.
 
what would you do with simon & garfunkel? i would say they're a similar
case (actually possibly less strong than Hall & Oates in that both have
had successful solo careers)
 
it's always going to be fuzzy, this one. and i'm not sure exactly what
to do with CSNY etc. 
 
p
________________________________

From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
Paul C. Bryan
Sent: 24 August 2011 16:13
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] Deprecating collaborations


I wrote:



        Here's a performance collaboration worthy of review: Daryl Hall
& John Oates, at least judging by their album covers:
        


On Tue, 2011-08-23 at 21:44 -0700, Ryan Torchia responded: 


        How does that put them in the "same boat"?  That sometimes they
were credited using their full names rather than just last names is
really kind of trivial, IMO.  Their history definitely warrants that
they that they be included as a single entity in MB.  The line can be
fuzzy for collaborations like Lennon/Ono, but really not for Hall &
Oates.
        


How does their history definitely warrant they be included as a single
entity in MB? How is it fuzzy for other collaborations and not so for
Hall & Oates? Length of time in collaboration? Number of releases? As
the majority of their albums appear to credit them individually on the
cover, it seems on its face like a collaboration, not a "group". As
such, this collaboration seems like a logical migration from
collaboration artist to joint artist credit-especially absent any
guidelines to direct us otherwise.



        Related to this, I'd like to see people work out what we should
do with Crosby, Stills, Nash & Young. (And Crosby, Stills & Nash),
Crosby & Nash, Stills & Nash, the Stills-Young Band, David Crosby,
Stephen Stills, Graham Nash, Neil Young, and of course... Buffalo
Springfield.)
        


I get the part about the Crosby* cases. I don't get the Buffalo
Springfield case (isn't it a rock band, i.e. group-or was this made in
jest?) 

Paul 


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