Hi Varvara,
Much thanks for sharing to the list - will read ;-)
Wishing you well.
marc
Marc Garrett
Co-Founder, Co-Director and main editor of Furtherfield.
Art, technology and social change, since 1996
http://www.furtherfield.org
Furtherfield Gallery & Commons in the park
Finsbury Park, London N4 2NQhttp://www.furtherfield.org/gallery
Currently writing a PhD at Birkbeck University, London
https://birkbeck.academia.edu/MarcGarrett
Just published: Artists Re:thinking the Blockchain
Eds, Ruth Catlow, Marc Garrett, Nathan Jones, & Sam Skinner
Liverpool Press - http://bit.ly/2x8XlMK
Marc Garrett – Unlocking Proprietorial Systems for Artistic Practice.
Posted in Journal Issues, Research Values. VOLUME 7, ISSUE 1, 2018
http://www.aprja.net/unlocking-proprietorial-systems-for-artistic-practice/
Furtherfield Editorial – Border Disruptions: Playbour & Transnationalisms.
https://www.furtherfield.org/editorial-border-disruptions-playbour-transnationalisms/
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‐‐‐‐‐‐‐ Original Message ‐‐‐‐‐‐‐
On Wednesday, 26 December 2018 23:45, Varvara Guljajeva via NetBehaviour
<netbehaviour@lists.netbehaviour.org> wrote:
> Dear readers,
>
> I have recently successfully depended my PhD dissertation at Estonian Academy
> of Arts and thought to share the digital version of it, since topic might be
> interesting for this mailing list audience.
>
> Title: [From interaction to post-participation: the disappearing role of the
> active
> participant](https://eka.entu.ee/shared/429088/GsqzlotFPrFi1tdtAmVX1Wo8cxFWi4iQjntDJcO4n0mE5NAx8K8pef9V3AC9k3lB)
> Supervisors: dr Raivo Kelomees (Estonian Academy of Arts) and dr Pau Waelder
> (The Open University of Catalonia)
>
> Pre-reviewers: Prof dr Christa Sommerer (Interface Cultures, The University
> of Art and Design Linz) and Prof dr Moises Mañas Carbonell (Faculty of Fine
> Arts, Polytechnic University of Valencia)
>
> Opponent: Prof dr Christa Sommerer (Interface Cultures, The University of Art
> and Design Linz)
>
> The practice-based dissertation analyses and contextualises passive audience
> interaction through the lens of post-participation. Research explores the
> shift from active to passive participation in interactive art. By exploring
> interactive art history and the discourse of identity within the field, this
> dissertation investigates how artworks that demonstrate no audience
> involvement, but still incorporate an internal system interaction with a data
> source, are addressed. In other words, the research tracks down the interest
> shift from human-machine to system-to-system interaction, and explores the
> reasons behind this.
>
> In this thesis, a differentiation is made between direct and indirect
> post-participation. Hence, the selected artworks are analysed from the
> perspective of concept, direct or indirect post-participation components, and
> realisation. In addition, related artworks by other artists are introduced
> and discussed under each subcategory of post-participation.
>
> In the end, the dissertation contributes to the evolution of interactive art,
> by analysing and contextualising passive audience participation in the form
> of post-participation. Author argues that the concept of post-participation
> helps to address the shift from an active to a passive spectator in the
> complex age of dataveillance, an age in which humans are continuously
> tracked, traced, monitored and surveilled without our consent.
>
> Please find the PhD thesis
> [here](https://eka.entu.ee/shared/429088/GsqzlotFPrFi1tdtAmVX1Wo8cxFWi4iQjntDJcO4n0mE5NAx8K8pef9V3AC9k3lB).
>
> best regards,
>
> Varvara Guljajeva, PhD
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