2hours too late for me, unless the storm keeps me awake. Flooding episode not finished yet! we had 2 days of respite...and week ahead with rain and storms. Sooooo many tears!
Suzon +61439929028 *facebook.com/suzonfuksdesign/shop <http://facebook.com/suzonfuksdesign/shop>* *BE LIKE BODY–OBSOLETE * *- download free e-book http://suzonfuks.net/be-like-body-obsolete-4 <http://suzonfuks.net/be-like-body-obsolete-4>* *I acknowledge the country, culture and traditional custodians of the land upon which I walk, work and live, the Turrbal and Jagera peoples. It takes 12000 litres of water to make 500 grams of chocolate! * On Wed, 2 Mar 2022 at 22:05, <[email protected]> wrote: > Send NetBehaviour mailing list submissions to > [email protected] > > To subscribe or unsubscribe via the World Wide Web, visit > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour > or, via email, send a message with subject or body 'help' to > [email protected] > > You can reach the person managing the list at > [email protected] > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of NetBehaviour digest..." > > > Today's Topics: > > 1. Re: reariting of the conversation by Rhea Myers & McKenzie > Wark (Annie Abrahams) > 2. last post for a while (Alan Sondheim) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Tue, 1 Mar 2022 13:17:44 +0100 > From: Annie Abrahams <[email protected]> > To: NetBehaviour for networked distributed creativity > <[email protected]> > Subject: Re: [NetBehaviour] reariting of the conversation by Rhea > Myers & McKenzie Wark > Message-ID: > <CAPYs01n73yK9y= > [email protected]> > Content-Type: text/plain; charset="utf-8" > > Got a private email from Ruth asking me if it would be this Friday, > > Yes it would be this* Friday March 4*. (16 h Paris time) > I hope some of you will write me too, because reariting is best when you > are at least 4. (for now there is just Ruth and me) > > Reminder: reariting is about thinking and learning, trying to understand, > finding links, soft and blind spots, returning and kneading. It always > starts somewhere in the middle, and somehow never ends. > > Best > Annie > > On Mon, Feb 28, 2022 at 10:01 AM Annie Abrahams <[email protected]> > wrote: > > > Hi, I am sure some of you have seen this conversation by Rhea Myers & > > McKenzie Wark in Outland https://outland.art/rhea-myers-mckenzie-wark/ > > I read it and am intrigued, but some things are very dense or formulated > > in a way that doesn't refer to what I know. > > > > Might there be some of you who want to think through this conversation > > via a reariting of it? > > *I would like to propose Friday March at 16h Paris time. Please write me > > an email if you want to think with others on this subject.* > > > > Annie > > -------- > > Reariting is the act of simultaneous reading and writing together on the > > Internet. Reariting is used as a technique to think through a text > > together. While we read the conversation, we will all use the same > > framapad to write our reactions and asides related to this text. Thus we > > explain and explore our understandings and misunderstandings of the text > . > > -------- > > > > *Thus the Reading Club manifests itself as a facilitator for a > > diffractive, distributed intelligence on-the-fly, creating text and > > relational patterns that do not depend on canons. It generates creative > and > > unexpected ?outcomes?. These are, in my opinion, not so much the texts > > produced, as the ?diffractive moments? experienced by the reariters.* > > Diffractive Reading in the Reading Club, Annie Abrahams, 2019. > > https://elmcip.net/critical-writing/diffractive-reading-reading-club > > > > In the article with Emmanuel Guez: *The machinic author*, published in > > JCWS (Journal of Creative Writing Studies) we formulate it a bit > > differently: > > *She assists in an event that allows for diffractive moments (5) ? i.e ?a > > mapping of interference? which take her out of self reflexivity, out of > > systemised subjectivity, out of a world that only reproduces what it > knows > > already into an intra-active diffractive worlding (6). The machnic author > > revealed herself as queer.* > > Abrahams, Annie and Guez, Emmanuel (2019) ??The machinic author? Artist?s > > Statement: The Reading Club?, Journal of Creative Writing Studies: Vol. > 4: > > Iss.1, Article 8. ISSN: 2474-2937. Available at: > > https://scholarworks.rit.edu/jcws/vol4/iss1/8 >
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