Image of a Line that is a Line https://youtu.be/QdQ_8-AqbvM video http://www.alansondheim.org/line.jpg The street construction goes on and on, maybe 20 times since we moved here nine years ago. It's always the same thing, digging a trench the length of Westminster Street, blocking traffic, usually putting a pipe in. The geometries remind me of the Nazca lines in Peru, beautiful. The noise of course is horrendous, starting around six in the morning, through the day; at night, the clubs take over. On the other hand, I'm fascinated by the machinery and the ultimate simplicity of wheel, lever, scraper, shovel, groups of men and women standing around, trucks and construction equipment wheeling around... I shoot from the window, maybe follow-up from the ground, gauging the changing and noisy landscape. The routine is in fact routine, repeated actions; what changes things beautifully are the slight errors, asphalt for example breaking in the wrong place, something slipping... I'm coupling recordings which you won't watch all the way through; the first is slightly embellished. I can't get enough of the sound to be sure. I think Archimedes would have no problem understanding any of this. In the early morning, in the early morning, I wake up ponderous, dizzy beyond belief, everything whirling, it's not me that's moving, it's the walls, the sound complete and everywhere, almost perfect, I stumble, almost collapse. I can't sleep, can't not sleep. It's not a teeter, not a challenging geometry, problem to be solved. It's a state of somewhat terror, something called the "incessant." There's no framework for this, the melding. Even now, writing in this cafe, the melding. The Wold, The Total Loss. This could be a symphony, noise music. A tired metaphor: The machines dance. They don't. They're inert, the road, the Wold, the workers, myself as in-earnest onlooker: all inert. The Thing. The Thing manifests itself as nothing: it is The Thing, neither singular nor plural, neither one nor many, neither here nor there, neti neti, neither above or below, The Thing. I capitalize out of habit; it is literally no matter, no matter at all, no material, no materiality. Neither this nor that, embracing the world, neither embracing nor non-embracing, the world. Neither world and neither world. What is an embrace but emptiness. Not geometry, here among the asphalt, not comfort, kindness, nothing. You are staring, you are in, you are without, you are absorbing the bones of the world which are and are not your bones. That is why the absorbing is long and unending, neither promise nor premise. There's nothing here, you see? Pixels and accouterments as if in _production._ That is it, a production form, production formula. There is no tiring in repetition, what wears down is irrelevant, things are always larger than things. Yes, that occurs here. Hurrah, precisely, an occurrence. __ _______________________________________________ NetBehaviour mailing list NetBehaviour@lists.netbehaviour.org https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Image of a Line that is a Line
Alan Sondheim via NetBehaviour Fri, 12 Aug 2022 20:34:44 -0700