Networked Art: Practices and Positions.

Featured on Garrett Lynch's Blog 'Network Research'.

"Finally managed to get hold of a copy of Network Art (perhaps the world’s most difficult to get net.art book) edited by Tom Corby (of Corby and Bailey and teaches Media Art at the University of Westminster) and gradually worked my way through it when I had a spare moment between classes.

The book, an outcome of research funded by the Arts & Humanities Research Board, takes a similar approach to Tilman Baumgärtel’s net.art 2.0 (and there is a text by Baumgärtel entitled The ludic hack: artistic explorations of computer games) in that it gives an overview of the practice of a selection of artists working with networks (principally the internet), their art, themes and method of working. It shouldn’t be compared with net.art 2.0 however as it does this differently. It takes a less historic overview of net.art, is more concerned with current practice than origins or development of the genre and this is executed in a number of ways, interviews, writings about art work, ideas and themes (net.art 2.0 is entirely interviews with the artists conducted by Baumgärtel).

The book is broken down into two sections, Contexts and Practices. Contexts, the first section, prepares the reader for some of the art discussed in Practices and contains writings by some of the most important theorists currently writing, curating and teaching about net.art and new media theory. Charlie Gere, Reader in New Media Research and Director of Research at Lancaster University, author of Digital Culture and Art, Time and Technology introduces the reader to The history of networked art, Sarah Cook who works at the University of Sunderland and has jointly set up Crumb, a new media curatorial reseource (also funded by the AHRB), with Beryl Graham writes about Context-specific curating on the web while Baumgärtel has a chapter which is already mentioned above."

more...
http://www.asquare.org/networkresearch/?p=132
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