And then, perhaps, it's evident that, given semantic substance, all 
languages are networks across ethers, across absence - all languages are 
ghosts calling ghosts.

Thanks, Alan


On Fri, 11 Dec 2009, Curt Cloninger wrote:

> Thanks Alan,
>
> I like the poetry that this is. It works as language across a network
> of ether, ghost calling ghost. A disembodied myth of disembodied
> discourse. In real life/space/time I doubt the event would have been
> as poetic. In real life/space/time I would have rather asked Bakhtin
> an embodied utterance. We would have tasted the banality of the
> moment like the fallen angel Peter Falk burning his freshly incarnate
> tongue on the material semiotically known as coffee, now affectively
> known as "ah! this!" in Wenders "Wings of Desire."
>
> Loving Hand Turns Burning Sand to Water,
> Curt
>
>
>
>> "I want to ask Jacques Derrida a question."
>>
>>
>> I want to ask Jacques Derrida a question.
>>
>> It is question about death, not in particular his death.
>>
>> But a question concerned with the aporia of death, not necessarily his
>> own.
>>
>> Such a question, which would have been possible several years ago, is no
>> longer possible.
>>
>> We are thrown back on the words of Jacques Derrida.
>>
>> We are immured there.
>>
>> It would have been simple: Jacques, here is what I want to know.
>>
>> Do you have a minute of your time.
>>
>> The body of Jacques Derrida still exists.
>>
>> His body, phoric, carries the aporia.
>>
>> The aporia is not his own, nor can he speak and return an unraveling.
>>
>> Today, words are never set in stone, and questions go unanswered.
>>
>> Today, questions disappear, and their occasion disappears.
>>
>> The occasion of a question: a gap, as in a detective story.
>>
>> As if the question were sutured by an answered, when in fact it is sutured
>> by any reply at all.
>>
>> An answer responds to a question; a reply responds to the occasion of a
>> question.
>>
>> I remember Jacques Derrida, and would have tapped him on the shoulder,
>> saying, excuse me, but ...
>>
>> There is an image I have of this tapping: the softness of his jacket, the
>> slight giving away of the flesh beneath, and he turns towards me.
>>
>> When I move my hands, everything is empty.
>>
>> Jacques Derrida is a remnant of matter.
>>
>> ... "If death" ... "names the very irreplaceability of absolute
>> singularity (no one can die in my place or in the place of the other),
>> then all the _examples_ in the world can precisely illustrate this
>> singularity. Everyone's death, the death of all those who can say 'my
>> death,' is irreplaceable." ... (Derrida, Aporias)
>>
>> When I move my hands: when my hands are moved for me, are only moved for
>> me: mise en scene, a scenario or occurrence, chora.
>>
>> I do not collapse time, Jacques, in order to speak to you: I speak to
>> you.
>>
>> I do not collapse space, in order to speak: I touch you lightly on your
>> shoulder, I wait until you turn around, your glance moves in my direction,
>> momentarily you are caught up in my gaze, you hesitate whether or not to
>> return your own, your reply to my question, you return such, as if such is
>> returned, an exchange of gifts or misrecognition.
>>
>> Of the good, there is the edge of a knife, and the fall which surrounds
>> it; of the spoken, there is a comprehension, empathetic alignment, then
>> nothing.
>>
>> Of the spoken, the knife edge separates the question I give to Jacques as
>> a gift, an awakening, and the reply which shatters after a particular
>> time, calculable, unattainable.
>>
>> Of the question: all questions are a permanence: It is impossible to
>> answer a question.
>>
>> Jacques turns; I look at his shoes. Thinking of Van Gogh, of Heidegger,
>> of Jacques Derrida, I take several photographs. They are remnants, indices
>> with lost referents; they are abject. I am silent; I say nothing to him,
>> to Van Gogh, to Heidegger. Repeatedly I raise the camera; eye-level, I aim
>> downward, towards an incalculable earth. The images, lost, are digital;
>> they never were. Between one pixel and another, a hole, precisely the
>> width of death.
>>
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