Discover the Erotic Paintings of Salvador DaliX!

http://brodypaetau.com/?page_id=204


About the Salvador DaliX paintings:

I was always interested in the person of Salvador Dali. As a ‘provocateur’ and 
surrealist per excellence he made several legendary interventions and 
performances which rarely were documented by fotos or film. They mainly exist 
as stories and legends. Through these stories I discovered many details about 
the sexual life of Salvador Dali: his initial trauma regarding sex due to his 
severe father who teached him the dangers of sex when he was only a child, 
showing him a book with pictures of male genitalia suffering from sexually 
transmitted diseases. This supposedly lead Dali to become ‘The great 
masturbator’ in order to avoid intercourse. Then the trauma with his student 
friend - the writer Garcia Lorca - who presumably tried to rape him but did not 
succeed according to Dali. His relatively late discovery of various sexual 
pleasures with his wife and muse Gala and finally his passion for Amanda Lear, 
a transvestite and a popstar, with whom he had a long time relationship and h
elped financially to make a sex change operation. All these stories inspired me 
to start producing the ‘Salvador DaliX’ paintings, as an ‘hommage’ to Dali and 
as a challenge: to make paintings ‘à la Dali’ under the identity of an obscure 
impostor called Salvador DaliX. This ‘X-rating’ of Dali with a pseudonym 
reflects the already very erotic character of Dalis original oeuvre and hints 
at the numerous Dali forgeries existing on the market - many of them 
co-produced by Dali himself. I am interested in the idea of creating 
‘problematic paintings’. This started with the ‘Painting China Now’ series that 
I made together with Ondrej Brody in 2007 and continues with a different 
purpose in the Salvador DaliX series. The Salvador DaliX paintings are based on 
pornographic photographs stolen from the internet, then manipulated with the 
computer and finally painted by ‘my assistants’ in China: commercial painting 
companies who specialize in reproducing any picture you e-mail them. All th
 e paintings are ‘original’ oil on canvas - handmade of course. It seems that 
the ‘Made in China’ stamp devaluates the commercial value of the paintings even 
more than the fact that they were painted by (a poor artists) assistants. At 
the same time many people admire paintings of famous contemporary artists that 
are produced by chinese, russian or eastern european assistants who paint for 
10 US dollars an hour in New York, Berlin and London. The Salvador DaliX 
paintings refer to many contradictions and problematic aspects (conceptual, 
economical, political and visual) that I find interesting. (K. Paetau, 2010)


Warm regards, Ondrej Brody & Kristofer Paetau

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