Sprint As Process
http://www.furtherfield.org/displayreview.php?review_id=401     

by Helen Varley Jamieson

Helen Varley Jamieson's account of working collaboratively in Madrid
at the Eclectic Tech Carnival. On a 'sprint', with five women coming
together for a week to rebuild the group's website, physically &
remotely.

In the last week of June I went to Madrid for the Eclectic Tech
Carnival (/ETC) website workweek - the collective effort of five women
coming together for a week to rebuild the group's website. This is
sprint methodology, a concept that I first met in Agile software
development, but one that is being increasingly applied as a
successful creative collaboration methodology. During the workweek I
blogged about the process and this article is an assemblage of the
blog posts.

Thinking about the concept of the sprint, I realised that over the
years, I've participated in a number of theatrical "sprints" although
we didn't call them that. In fact it could be argued that the normal
development process for theatre productions in New Zealand is the
sprint - a three or four week turnaround of
devising/rehearsing/presenting. Except that it doesn't usually
continue the Agile process after the first sprint - evaluation,
refinement then the next sprint and iteration - and as a result, the
work is often undercooked. But theatre projects that better fit the
sprint analogy are some of the workshop-performance processes that
I've participated in at theatre festivals, where a small group comes
together for a few days to create a performance, then some time later
meets again in another situation, perhaps a slightly different
configuration of people, for another sprint. Each sprint generates a
stand-alone performance or work-in-process showing, as well as
contributes to a larger evolving body of work that forms the whole
collaborative project. Two such projects that I've been part of are
Water[war]s and Women With Big Eyes (with the Magdalena Project).


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