Hi Marc;

And "prehistory," as what we call history begins with what we call writing. 
While art extends much further back than written languages.
Many prehistories are now being taken seriously, mainly by archaeologists.
As for the "transdisciplinary." This is to where art traces its roots, so that 
it should be a natural sphere to artists who are aware of their tradition. 

Warm Regards,
Joel  
  ----- Original Message ----- 
  From: marc garrett 
  To: NetBehaviour for networked distributed creativity 
  Sent: Sunday, October 23, 2011 6:28 AM
  Subject: Re: [NetBehaviour] Taking the Protests to the Art World


  Hi Joel,

  I feel that the 'art world' has always been much larger in reality, than 
  certain establishments would like us to believe - whether this be in 
  history or in everyday art practice.

  It's alive & kicking anyway - and the transdisciplinary side of it all 
  for me is the more interesting element, existing at the edge of things...

  wishing you well.

  marc



   > This is strange because the Art Market has been like this--an 
  investment market for the rich--for centuries, and the only thing most 
  artists did was try break into it.
   > In any case, this protest is a good thing for art, and I hope it 
  spreads to the Art World, which is much larger than New York thinks it is.
   > -Joel
   >
   >
   >     ----- Original Message -----
   >     From: info
   >     To: NetBehaviour for networked distributed creativity
   >     Sent: Saturday, October 22, 2011 4:22 AM
   >     Subject: [NetBehaviour] Taking the Protests to the Art World
   >
   >     Taking the Protests to the Art World
   >
   >     By MELENA RYZIK
   >
   >     The Occupy Wall Street movement took on the art world, sort of, this
   >     week, with a splinter group, Occupy Museums. Convened on Thursday
   >     evening through a Facebook, Twitter and Tumblr posts, about 20 people
   >     made their way from the Museum of Modern Art to the New Museum to a
   >     downtown gallery, protesting what they say is the conflation of 
  art and
   >     commerce, the snobbery of the art market and high ticket prices at
   >     museums, which they called the “temples of the cultural elite.”
   >
   >     
  
http://artsbeat.blogs.nytimes.com/2011/10/21/taking-the-protests-to-the-art-world/?smid=tw-artsbeat2&seid=auto
   >
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