Where have they been for the last fifteen years? They have been in
Bryant Park, Up the fundament of New York Fashion Week, selling cars..
On 23 Apr 2012, at 18:34, Eduardo Valle wrote:
When BMW meets Tate, state capitalism and private capitalism and
the institutional delay
I'm feeling supersonic
Give me gin and tonic
You can have it all but how much do you want it? You make me laugh
Give me your autograph
Can I ride with you in your BMW?
You can sail with me in my yellow submarine
You need to find out
'Cos no one's gonna tell you what I'm on about
You need to find a way for what you want to say
But before tomorrow
Date: Mon, 23 Apr 2012 18:09:04 +0200
From: he...@creative-catalyst.com
To: netbehaviour@netbehaviour.org
Subject: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo
Bronstein's Constantinople Kaleidoscope
has anyone else had a look at this?
i'm a bit stunned that they are describing what sounds like
webcasting slightly augmented by social media as "an entirely new
mode of presentation" ... on their web site, they even claim it as
" the first artistic programme created purely for live web broadcast."
where have they been for the last 15+ years i wonder???
-------- Original Message --------
Subject: BMW Tate Live Performance Room: Pablo Bronstein's
Constantinople Kaleidoscope
Date: Sun, 22 Apr 2012 12:00:11 -0400
From: e-flux <i...@mailer.e-flux.com>
Reply-To: i...@mailer.e-flux.com
To: pa...@blindditch.org
April 22, 2012
Tate Modern
BMW Tate Live Performance Room:
Pablo Bronstein
Constantinople Kaleidoscope
Online at www.youtube.com/tate on Thursday 26 April at 20:00 BST
Share this
BMW Tate Live Performance Room is a pioneering programme of live
performances created exclusively for online broadcast,
simultaneously reaching international audiences across world time
zones.
For the second performance in the BMW Tate Live Performance Room,
Argentinean born artist Pablo Bronstein will premiere,
Constantinople Kaleidoscope, an entirely new work made especially
for the BMW Tate Live Performance Room. Involving a group of
dancers, Bronstein will create a baroque trompe l'oeil stage set
that exaggerates the perspective of the room with mirrored columns.
Bronstein uses architectural design and drawing to engage with the
grandiose and imperial past of the built environment and this
preoccupation with form frequently extends into his live work.
Audiences, who will only be able to view the performances on the
internet, are invited to enter the online Performance Room via
www.youtube.com/tate at 20.00 hrs in the UK and exactly the same
moment across time zones on the specified dates—16.00 hrs on the
East Coast of America, 21.00 hrs in mainline Europe and 23.00 hrs
in Russia.
The global audience are encouraged to chat with other viewers via
social media channels and to put questions to the artists or
curator following it using Tate's social media channels—twitter.com/
tate using #BMWTateLiveQ and facebook.com/tategallery.
The BMW Tate Live Performance Room was inaugurated by French
choreographer and dancer Jérôme Bel with the work Shirtology@Tate
on 22 March. Artists Emily Roysdon, Harrell Fletcher and Joan Jonas
will also present works for the BMW Tate Live Performance Room in
the coming months.
On Thursday 31 May, American artist and writer, Emily Roysdon,
explores the intersection of choreography and political action
through a collaborative performance.
Harrell Fletcher's work often takes the form of socially engaged
and interdisciplinary projects. On Thursday 28 June, for BMW Tate
Live, he will work with local amateur performers who ordinarily
would not be seen by the Performance Room's global audience.
The final BMW Tate Live Performance Room in 2012 is by legendary
performance artist, Joan Jonas. Since the 1960s, she has been a
major figure at the forefront of explorations in film, new media
and performance, transcending genres to develop an influential
practice rooted in space, movement, ritual and gesture.
This innovative format offers international audiences an
opportunity to experience performance works through an entirely new
mode of presentation. Each performance is archived and available to
view online after the live event.
BMW Tate Live is a four-year partnership between BMW and Tate,
which focuses on performance, interdisciplinary art and curating
digital space. BMW Tate Live: Performance Room is the inaugural
strand of the partnership and features five commissions in 2012.
BMW Tate Live is curated by Catherine Wood, Curator, Contemporary
Art and Performance, Tate, and Kathy Noble, Curator of
Interdisciplinary Projects, Tate, assisted by Capucine Perrot,
Assistant Curator, Tate and Julia Crabtree.
BMW Tate Live Performance Room
Forthcoming performances at 20.00 hrs BST
26 April, BMW Tate Live Performance Room: Pablo Bronstein,
Constantinople Kaleidoscope
31 May, BMW Tate Live Performance Room: Emily Roysdon
28 June, BMW Tate Live Performance Room: Harrell Fletcher
Summer date tbc, BMW Tate Live Performance Room: Joan Jonas
311 East Broadway
New York, NY 10002, USA Contact
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