I particularly love the term 'tangible digital' that Tilman Baumgärtel
proposes. I'm noticing an interest among artists not only in 3D printing
but also digital embroidery. The latter, like Lichty's tapestries,
contribute to a sense of the material as well as the once exclusively
handmade craft, a practice attributed to domesticity,  cultural marking,
and durability. Despite machine practices and mass production of both, the
digital factor is what seems to pique artists' interest in incorporating
this expressive medium into their practices.

Thank you for sharing!

On Wed, Mar 4, 2015 at 9:35 AM, dave miller <[email protected]>
wrote:

> Very nice! I particularly like the space invaders/ white house.
> These look lovely.
>
> On 4 March 2015 at 14:12, furtherfield <[email protected]> wrote:
>
>> Tapestries? - Patrick Lichty Interviewed by Tilman Baumgärtel
>>
>>
>> http://furtherfield.org/features/interviews/tapestries-patrick-lichty-interviewed-tilman-baumg%C3%A4rtel
>>
>> The American artist Patrick Lichty is best-known for his works with
>> digital media: as part of the activist group RT Mark and as designer of
>> digital animation movies for their follow-up The Yes Men, he has been
>> recognized as a net artist with a political bend. He has been working with
>> digital media since the 1980s, and has created works with video, for the
>> Web and for Second Life.
>>
>> At the moment, Lichty has a solo show “Artifacts” at DAM Galerie in
>> Berlin (http://bit.ly/1DTNvt9).
>>
>> However, the artist, who is teaching at the University of Wisconsin in
>> Milwaukee and has recently published a book of theoretical essays on
>> Networked Cultures (http://bit.ly/1aLdAB6), is not showing media works,
>> but tapestries. Tapestries! What's going on? Tilman Baumgärtel finds out.
>>
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