...Unless you decide to turn your parcel of land into a bustling center of
commerce.

On Thu, Apr 21, 2016, 18:41 Simon Biggs <si...@littlepig.org.uk> wrote:

> We (my family and I) did grab what we can and head for the hills.
> Literally. We now live high up in the hills in an obscure and hard to find
> place a reasonably safe distance from where other people live about as far
> from the cradle of Western civilisation one can be (Australia). We are
> surrounded by a parcel of land that is ours and functions something like a
> fortress. I guess that means I can’t be an accelerationist - even if I
> wanted to be…
>
> best
>
> Simon
>
>
> *Simon Biggs*
> si...@littlepig.org.uk
> http://www.littlepig.org.uk
> http://amazon.com/author/simonbiggs
> http://www.unisanet.unisa.edu.au/staff/homepage.asp?name=simon.biggs
> http://www.eca.ed.ac.uk/school-of-art/simon-biggs
>
>
>
>
>
>
>
> On 22 Apr 2016, at 02:57, ruth catlow <ruth.cat...@furtherfield.org>
> wrote:
>
> Dear Annie, Dave, Alan and Paul,
>
> Annie you asked
> "I want to slow down, to be attentive, to touch - can that be part of
> Accelerationisme?"
>
> Yes. I think so.
> This is less about speed (as distinct from Futurism) than it is about
> rates of change.
>
> The technologies that we use are bound up with with advanced capitalism.
> We watch our political and social infrastructures unable to evolve fast
> enough to solve the wicked problems - for environment, democracy, justice
> and a good life- than they create.
>
> I think we can take two attitudes
>
> 1) Save ourselves! Take what we can carry, run for the hills and build the
> best fortresses we can with people whose values we share.
>
> or
>
> 2) coordinate and collaborate in the higher interests of all living beings
> - constantly working out who and what these are- and using all means at our
> disposal.
>
> I like the idea of living in the hills.
> But not under siege, and not in earshot of future generations of bemused,
> brutalised, alienated people.
>
> The dominant model of global coexistence is that of endless economic
> growth and Neoliberalism (the (increasingly automated) marketization of
> everything). This  tends to centralize power and resources and renders less
> effective the usual ways of blocking and resisting; of work-based and
> traditional-identity based solidarity.
>
> Instead Contemporary Accelerationism suggests (I think) that we use in new
> combinations all the tools, tactics, and knowledges in an attempt to
> perform a series of judo moves (using the force rather than resisting the
> force), or to sling-shot our way through the mess we are in.
>
> As always, there needs to be a way to accommodate the visions and madcap
> schemes of all sorts- many islands rather than one land mass as Paul said.
> That's why this discussion here and now.
>
> Respect!
> Ruth
>
> On 21/04/16 12:01, Annie Abrahams wrote:
>
> My name is Annie Abrahams and I don't know if I am an Accelerationist.
> I don't like the word and I know that words are not innocent.
> I do like Ruth and I know she never is completely wrong.
>
> Why in the first place I should think about it? Modernism, the Postmodern,
> the New Aesthetics, Post Internet Art - just names, almost forgotten names
> - containers that served to categorize discussions, postures ... analyses?
> perspectives?
>
> Is Accelerationisme the most recent one in this row?
> What should we discuss ... ?
> Accelerate? What is knowledge in this frame, how is it constructed? Is it
> a-historical? Is it prospective?
>
> I want to slow down, to be attentive, to touch - can that be part of
> Accelerationisme?
>
> (to be continued)
>
> On Thu, Apr 21, 2016 at 11:37 AM, ruth catlow <
> ruth.cat...@furtherfield.org> wrote:
>
>> Hello,
>> My name is Ruth Catlow,
>> and I am an Accelerationist.
>>
>> Back in 1996 ....
>> (to be continued)
>> _______________________________________________
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>>
>
>
>
> --
> Gretta Louw reviews my book
> <http://www.furtherfield.org/features/reviews/personal-politics-language-digital-colonialism-annie-abrahams%E2%80%99-estranger>
> from "estranger to e-stranger: Living in between languages", and finds that
> not only does it demonstrate a brilliant history in performance art, but,
> it is also a sharp and poetic critique about language and everyday culture.
>
> New project with Daniel Pinheiro and Lisa Parra : Distant Feeling(s)
> <http://bram.org/distantF/>
>
>
> _______________________________________________
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>
>
> --
> Co-founder Co-director
> Furtherfield
>
> www.furtherfield.org
>
> +44 (0) 77370 02879
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>
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-- 
P Thayer, Artist
http://pallthayer.dyndns.org
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