Gaston de la Touche

Born at St Cloud, near Paris, on the 29th October 1854, Gaston La Touche
showed an early vocation for an artistic career. From the age of about ten
years, he spent every available moment of recreation in drawing, and finally
managed to obtain permission from his parents to take lessons from a M.
Paul, who quickly discovered his natural aptitude and encouraged the young
boy to persevere with his studies.



Interrupted by the Franco-Prussian war of 1870, the lessons ceased when the
family fled to Normandy. La Touche never received any further formal
training, but he came under the influence of two older painters, one of whom
in particular was to have a profound and far-reaching effect on the
development of European painting. The two were Félix Bracquemond and Edouard
Manet. After the Paris Commune and the war, Manet, Degas and a group of
painters, critics, poets and authors used to gather regularly at the Café de
la Nouvelle-Athènes (c 1877-79) to discuss art and other topical matters. La
Touche also frequented this cafe where those he met included the realist
writer Emile Zola; Duranty, a critic, and Theodore Duret, a politician,
collector and champion of the Impressionists.



La Touche was not directly influenced by Manet's style; rather the ideas of
the older man spoke to him. Sincerity, candour, integrity and a striving
after the truth were the qualities to be sought in both life and art. During
this period in his career, La Touche depicted grim scenes from the daily
lives of the miners and labourers whose plight has already be brought to the
notice of the general public by the social realism of Zola's novels, such as
*l'Assommoir* and *Germinal.*

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