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destroyed - if there is no alternative (but in fact there are subtler
The other is never naturally the other: the other must be rendered
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Communicate: he is the one who we follow - and who follows us.
embracing the Other the better to wipe out his tracks, the better to
something secret, something forever separate. Not by engaging in a
Other. The Other is the one whose destiny one becomes, not by making
his
S. could have met this man, seen him, spoken to him. But in that
case
she is trying to avoid.
risk of death. S.'s anxiety revolves entirely around this violent
No mystery story, no love story. This answer is intolerable, and
implies
This reversal does in fact occur in the Venice scenario. The man
consequences.
laterally). The only truly dramatic point is this unexpected
behind him, swings round and spots his pursuer. Then the rules are
situation, however, is the dramatic moment when the one being followed,
(according to a principle opposed to the principle of the labyrinth,
city is curved, because space is curved, because the rules of the game
the certitude that I shall find him again tomorrow in the labyrinth of
follow. Without ever having approached him, I know him better than
to know him, nor to have him recognize me. He exists because, without
be more doubtful. On the other hand, if I followed the other secretly,
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are forever telling each other so). Can they be so sure of themselves?
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of how people meeting each otherare forever recognizing each other,
'The other exists, I have followed him'. Meeting, information, is
always
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might facilitate a contact or a relationship betwen them. The secret
will suddenly be reversed and that He will become Her destiny? Like all
all romance) that he will attack her physically or turn on her, like
Does she want him to kill her? Does she want him to find her pursuit
arrival so that she can take a last snapshot of him.
people in the shops he visits, she knows which shows he goes to. She.
