F35 uses Slog v1 and F65 uses Slog v2. We only have v1 in Nuke. There was a thread on the F65 here:
http://forums.thefoundry.co.uk/phpBB2/viewtopic.php?t=8581&highlight=slog2 Also there are F65 to aces luts in the aces ocio profile. ----- Deke Kincaid Creative Specialist The Foundry Mobile: (310) 883 4313 Tel: (310) 399 4555 - Fax: (310) 450 4516 The Foundry Visionmongers Ltd. Registered in England and Wales No: 4642027 On Wed, Sep 11, 2013 at 4:13 PM, Feli <[email protected]> wrote: > Hello everyone - > > Has anyone dealt with footage from the Sony F3? It's uncompressed 10bit > RGB444 SLOG in dpx format. > (the recorder was a Gemini444) > > > My current workflow is as follows: > > > > READ: colorspace slog > > VIEWER: Gamma2.2 > > WRITE: colorspace slog > > This is for a commercial, not a feature. > > I have a sneaking suspicion that the slog curve currently in Nuke dates > back to the Sony F35, because the highlights > are being pushed quite high. This could be a problem, since the F3 > captures at least two more stops of exposure range. > Has anyone seen a slog curve that is camera specific to the F3L with the > slog RGB upgrade? > > Perhaps someone can share their workflow experiences with footage from > this camera. > > > Thanks in advance > > > Feli > > > > > _______________________________________________ > Nuke-users mailing list > [email protected], http://forums.thefoundry.co.uk/ > http://support.thefoundry.co.uk/cgi-bin/mailman/listinfo/nuke-users >
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