IMNSHO this is how "we" got into this goddamn cluster with color in general in 
the brave new world of digital color ... by just letting clients have whatever 
they want just because they ask for it and we as an industry, fall over the 
apple cart trying not to upset anyone and break the cart anyway.

If they must have it then they get it but at least tell them that "to my best 
knowledge" this will lose some information and send them both dpx & "client" 
exr & "linear" extra for one shot with overbrights and darks and ask them to 
verify that's what they want.



Sent from my iPhone

> On Mar 23, 2017, at 20:46, J Bills <[email protected]> wrote:
> 
> Agreed.  If they want it, that's what they get!  Nothing wrong with 
> diplomatically flagging it as "not what we usually do" and sending a test 
> frame to ask if it's what they were expecting before you run the whole lot.
> 
> 
> From: [email protected] 
> <[email protected]> on behalf of Howard Jones 
> <[email protected]>
> Sent: Tuesday, March 21, 2017 1:35 AM
> To: Nuke user discussion
> Subject: Re: [Nuke-users] Ext with log color space
>  
> Assuming they haven't made a mistake I would give them what they asked for. 
> 
> For one show I'm delivering linear DPX. 
> 
> Howard
> 
> > On 20 Mar 2017, at 8:13 pm, chris <[email protected]> wrote:
> > 
> >> On 3/20/17 at 8:48 PM, [email protected] (Deke Kincaid) wrote:
> >> Many facilities deliver EXR files with DI mattes.  This is quite common
> >> these days especially since Baselight and other DI products now properly
> >> read multi channel exr files.
> > 
> > ah, good to know this gets more common. usually I had to deliver masks as 
> > extra sequences which got a bit messy.
> > now the question is, do we render those masks with log encoding ;)
> > 
> > chris
> > 
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