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From: Art&Education <edu-n...@mailer.e-flux.com>
Date: Tue, Sep 14, 2010 at 3:57 AM
Subject: e-flux presents a lecture by Raqs Media Collective at The Cooper
Union
To: suheba...@gmail.com


   September 13, 2010  [image: Art and Education]<http://artandeducation.net/>

<http://cuids.org/lecture/notes_for_a_biology_of_numbers_birds_beasts_and_games_with_forms>
Raqs Media Collective, "The Surface of Each Day is a Different Planet,"
2009. Installation view.    e-flux e-flux presents a lecture by Raqs Media
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*Notes for a Biology of Numbers: Birds, Beasts and Games with Forms*
Tuesday, September 14 at 6:30 pm

*The Cooper Union / Rose Auditorium*
Bowery and East 7th Street
New York City
Free admission
**<http://cuids.org/lecture/notes_for_a_biology_of_numbers_birds_beasts_and_games_with_forms/>
*www.cuids.org*

What does it mean to sustain a multiplied and divided practice in
contemporary art? What does an abundance of methods and forms add to
artistsʼ understanding of the world they inhabit and of their own work?
e-flux is pleased to present a public lecture-performance organized in the
context of the exhibition *Raqs Media Collective: The Surface of Each Day is
a Different Planet*. In this lecture, by Shuddhabrata Sengupta will present
the collectiveʼs ongoing reflections on its methods, processes and current
curiosities.

*Raqs Media Collective*ʼs talks began manifesting themselves as a way of
sharing notes from research and backstories of artworks with their publics
in different parts of the world: in order to tell stories, and leave them
half told, with space and time for listeners to fill them in as they
fancied.

Since 1992, Raqs has traversed a varied terrain—from video to installation,
to text image assemblages, to performance and encounters, to online media
objects—Monica Narula, Jeebesh Bagchi, Shuddhabrata Sengupta see different
forms and disciplines like chemists would see elements, or a biologist the
natural world. By combining elements, observing mutations where they occur,
and keeping a close watch on the way in which the world courses through
their triangular consciousness, Raqs generates motives for its continuity
and its pleasure. Located at the intersections of contemporary art,
historical enquiry, philosophical speculation, research and theory, Raqs
lives and works in New Delhi, based at Sarai – Centre for the Study of
Developing Societies (** <http://www.sarai.net>*www.sarai.net*), an
initiative they co-founded in 2000.

They have exhibited extensively in the context of large-scale international
exhibitions such as Documenta 11, the Venice Biennial, and the Liverpool
Biennial and in major art spaces such as Serpentine Gallery, Taipei Fine
Arts Museum, and the Walker Arts Center. Raqs were co-curators of Manifesta
7 in 2008. *Seepage*, a collection of their essays and image-text works, has
been recently published by Sternberg Press.


___________________________________

*Raqs Media Collective: The Surface of Each Day is a Different Planet*

September 16 – October 30, 2010
Opening: Thursday, September 16, 6-8 PM

*e-flux* presents an installation by Raqs Media Collective that combines
historical photographs (from the Galton Collection at University College,
London, and the Alkazi Collection, New Delhi) and video, animation, and
sound. Stories leak, histories collide. Bones, bodies, faces, and
handwriting blur. Crowds gather and move. Open-ended and anti-documentary, *The
Surface of Each Day is a Different Planet* builds sequential scenarios that
move across time and space, while considering collectivity, anonymity and
the question of identity through history, fantasy and speculation.

Presented within a setting suggestive of a lecture hall, there is the
anticipation of discourse: chairs and microphones are found on raised
platforms yet speakers are absent. The presentation evokes the
lecture-performance format commonly employed by the artists, but they, their
bodies themselves, have somehow disappeared. Their voices are left behind,
along with entire cabinets of curiosities.

*What happens when you layer one time on to another time? Do you get two
times at once, or, do you register some other, singular temporal experience,
analogous to the mysteriously singular 'composite' portrait of many
individuals, which is neither a sum of the parts of the photographs of many
faces, nor an average but a 'new' different face, which looks as if it
belonged to a unique life. A life never lived, but made manifest as a
photographic accident. Can there be a time made of juxtapositions, a time
never experienced, but made serendipitously manifest by interpretative
accidents? By the careful cultivation of chance encounters in scattered
archives.*

—Raqs on *The Surface of Each Day is a Different Planet*

*Raqs* is a word in Persian, Arabic and Urdu and means the state that
“whirling dervishes” enter into when they whirl. It is also a word used for
dance. At the same time, Raqs could be an acronym, standing for ʻrarely
asked questionsʼ...!

*The Surface of Each Day is a Different Planet* was commissioned and
exhibited at the Art Now: Lightbox in 2009 by Tate Britain. For further
information please contact *tara...@e-flux.com.

e-flux*
41 Essex Street
New York City
T: 212 619 3356
Tuesday – Saturday, 12-6 PM
www.e-flux.com <http://e-flux.com/shows/view/8569>
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