:) thanks Frank.
I’m not anti slowness, just thought it would make an interesting subject for a talk. Wherease yet another talk on ‘being efficient’… snore-dom! As a painter as well as a font maker, i can appreciate the opposite of ‘quick and easy’ too, but ‘efficiency’ does not allways give the most interesting results either. Myron Stout (http://www.pinterest.com/newtypo/myron-stout/) took decades to paint single geometric paintings. Also; life is very short and likely totally meaningless :) -v On 6 Jan 2014, at 00:30, Frank E. Blokland <blokl...@dutchtypelibrary.com> wrote: > Vernon: 'I’m toying with the idea of submitting something like an “A > non-experts guide to making libre fonts, quickly and easily […]' > > I suggest 'efficiently' instead of 'quickly and easily'. I'm making fonts > since the midst 1980s and I have never considered this easy. > > In the period 1980-1996 the Dutch pianist and conductor Reinbert de Leeuw > recorded Satie's 'Gnossiennes' and 'Gymnopédies'. He performed these > *extremely* slow (for instance his first 'Gymnopédie' is half as fast as Aldo > Ciccolini's interpretation). I recall his remark that there were many > pianists that could play fast, but that nobody could play as slow as he did. > The result is absolutely beautiful. > > FEB > > -- > -- > Google Font Directory Discussions > http://groups.google.com/group/googlefontdirectory-discuss > > ---You received this message because you are subscribed to the Google Groups > "Google Font Directory Discussions" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to googlefontdirectory-discuss+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/groups/opt_out.
