As to Kant:

" (i) Dependent beauty appeals to the perfection of a type.  The section
immediately preceding §16 is entitled, "A Judgment of Taste is Wholly
Independent of the Concept of Perfection."  It is in part a direct response
to Alexander Baumgarten,8 but it is also a powerful and sophisticated attack
on an idea as old as Plato and current in the eighteenth century: that
beauty is found in the perfection of a type.  The free/dependent beauty
distinction of §16 continues this line of resistance: to call something
(dependently) beautiful is to situate it in relation to an ideal archetype
of the kind of thing it is, and thus is an impure judgment.9 Thus one might
call an orchid beautiful because it is a nearly perfect specimen of its
species.  This Platonic reading of the distinction would presumably make the
concept of dependent beauty of practical value to the competition judges of
flower and dog breeders' associations, who require check-lists of features
against which to measure "aesthetic" quality.  This sense of dependent
beauty is unquestionably high in Kant's thinking, being much discussed both
in §15 and in §17, "On the Ideal of Beauty.""

Article by Dennis Dutton on Kant's Aesthetics quoted from
http://www.denisdutton.com/kant.htm





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