During the last days we've been discussing what is what has been known as "dry tension" with some very interesting inputs from different people.
There is something that I haven't been able to make up my mind about and it is, does a traditional masu box use dry tension? If it does it's not the most common dry tension we see on works like for example Philip Shen's models, since the layers do not overlap completely. On the other hand, more than one layer occupy the same area and they produce a 3D shape, so it most be dry tension. What do you think? -- Jorge Jaramillo
