http://www.frontpagemag.com/Articles/ReadArticle.asp?ID=21265
 
  
Fallaci Beheaded
By Robert  <http://www.frontpagemag.com/Articles/authors.asp?ID=1240>
Spencer
FrontPageMagazine.com
<http://www.frontpagemag.com/Articles/Printable.asp?ID=21265>  | February
13, 2006


A disgraceful art exhibit in Milan has illustrated once again the deep
affinity between the Left and the forces of the global jihad. In these days
of Muslims the world over calling for the deaths of those who have "insulted
Islam," anyone who wants to see Oriana Fallaci beheaded need look no further
than the Galleria Luciano Inga-Pin in Milan, which is exhibiting Giuseppe
Veneziano's  "American Beauty" from January 19 through March 18. This is a
series of paintings designed to
<http://sapere.virgilio.it/gallery/giuseppe_veneziano/> highlight the
"weakness and perversity of the 'American way of life.'" It accordingly
features straightforward, if somewhat lurid, portraits of Michael Jackson
and Ronald McDonald, along with the distinctly non-American Harry Potter.
Then comes a bizarre depiction of a nude man having sexual intercourse with
the Pink Panther, five artistic renditions of the Abu Ghraib prison photos
(each with "American Beauty" scrawled across the top), and - Oriana
Fallaci's decapitated head.  

Although I find the picture of Fallaci decapitated deeply offensive, I have
no plans to attack the Italian embassy, boycott Italian wine, phone in a
bomb threat to the Galleria Luciano Inga-Pin, kill innocent people who had
nothing to with the painting, or threaten to kill those who are actually
responsible for it. Veneziano's painting is the sort of obnoxiousness that
has become commonplace on the Left, and is one of the prices of freedom of
speech. 

Veneziano's painting is doubly offensive, however, in light of the fact that
Fallaci herself has been driven out of Italy by frivolous charges that she
has "defamed Islam." Giuseppe Veneziano is not on trial for depicting
Fallaci decapitated, but Fallaci faces trial for making a series of heated
but  <http://www.frontpagemag.com/Articles/ReadArticle.asp?ID=18349> largely
true statements about Islam and Muslims. Veneziano's painting is triply
offensive in that it depicts exactly what the Muslim exponents of cartoon
rage around the world would like to see done to Fallaci - and thus manifests
the ever-closer empathy between the Western Left and Islamic jihad. "Behead
those who insult Islam," read a
<http://news.yahoo.com/photo/060203/ids_photos_wl/r3443127481.jpg/print;_ylt
=AmADtrTLezMGo47tO9P9cLeaK8MA;_ylu=X3oDMTA3bXNtMmJ2BHNlYwNzc3M-> sign at a
recent demonstration in London protesting the Danish cartoons of the Islamic
prophet Muhammad. If Fallaci has insulted Islam with her monumental
post-9/11 cries of freedom and resistance, The Rage and the Pride and The
Force of Reason, Giuseppe Veneziano is happy to oblige the mujahedin, at
least on canvas.

 

In 2006 in Milan the prospect of Fallaci decapitata evokes not so much the
iconic Leftist images of the Bastille, Robespierre, and the Terror, but
Daniel Pearl, Nick Berg, and the Jihad - particularly in light of the
subject matter that has earned the great lady so many enemies in Italy and
around the world. This should come as no surprise. Both the Left and the
mujahedin envision a totalitarian state that cleanses the world of evil by
force, establishing a just society at the price of an unspecified number of
dead. Both are advocates of a supremacist ideology that is immune to
self-criticism and unable to tolerate criticism from others. And now as
<http://news.yahoo.com/s/nm/20060209/wl_nm/religion_cartoons_eu_dcc> the
European Union contemplates new laws that will, in the words of Franco
Frattini, who bears the Orwellian designation of EU Commissioner for
Justice, Freedom, and Security, "give the Muslim world the message: We are
aware of the consequences of exercising the right of free expression," the
marriage of the European Left and Islamic jihad can proceed all the more
speedily.
<http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2006/02/09/bleurope09.
xml> Frattini has since denied that the EU has any such plans, but there can
be no denying that voices all over the West have called for the media to
exercise "responsible self-regulation" so as to avoid trampling upon Muslim
sensibilities. But Muslim sensibilities only: those who depict Fallaci
beheaded, or Jesus Christ with the face of Osama bin Laden, will continue to
be subject to the same protections
<http://wcbstv.com/local/local_story_033162841.html> enunciated by Josh
Wainwright, the producer of the art show that featured the Christ/Osama
painting: "I don't think it's anyone's job or vocation to limit the
expression of artists." Right. Except cartoon artists, of course. Or at
least those who have the temerity to suggest that there might be some
connection between violent actions done by Islamic jihadists and
<http://www.usc.edu/dept/MSA/fundamentals/hadithsunnah/bukhari/052.sbt.html#
004.052.266l> the Prophet who said that "Paradise is under the shades of
swords." 

 

Fallaci decapitata may therefore end up being something far beyond what
Giuseppe Veneziano intended, which doesn't seem to have been more than an
adolescent poke-in-the-eye to someone the Left hates and fears. His painting
is a fitting emblem for the new Europe, the Europe in which the Swedish
government closed  <http://www.thelocal.se/article.php?ID=3029> down a
political party's website for displaying the cartoons of Muhammad, the
Norwegian editor who ran the cartoons abjectly
<http://www.aftenposten.no/english/local/article1219937.ece> apologized, and
European companies doing business in the Middle East can
<http://www.nytimes.com/2006/02/10/international/europe/10denmark.html?_r=1&;
oref=slogin> 't dissociate themselves quickly enough from Denmark and the
cartoons of shame. This is the New Europe, the New Dhimmi Europe, the Europe
that is eager to "give the Muslim world the message: We are aware of the
consequences of exercising the right of free expression." 

 

Oh, Europe is already well aware of those consequences. The consequences are
crystal clear in Giuseppe Veneziano's painting of Oriana Fallaci's severed
head. Not enough of those in Europe who still have their heads seem willing
to stand up to Islamic violence and intimidation long enough to allow the
heroic lady to keep hers. All around the Continent the parliamentary heads
of government are losing their heads trying to avoid offending Islam; all
too soon they will realize that Fallaci's head alone was not enough to
appease their sworn enemies. Not nearly enough.

 

 
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