Dear Chris and all, catching up on reading recent mails I read yours today. I 
can sense that the combination of art and OST you describe had a special energy 
and power. What I didn't get fully clear is how exactly both parts where 
combined in terms of the form of the event itself. Who invited them to create 
the piece of art? Was the creating part of the OST or done before? I am very 
interested in investigating if and how other, less intellectual expressions of 
who we are, can be combined with OST ~ and for me the experience with Silence 
intentionally being used in OST, which was shared on this list recently, goes 
into the same direction. I know there have been several conversations on this 
list regarding combining other activities and OST ~ or not do anything but pure 
OST and leave every input to the participants. I would be very happy to hear 
how you view your experiences in the light of these former conversations? And 
have you ~ and other people reading this ~ learned something regarding 
combining OST with other forms that changed your perspective? Thank you for 
sharing. Marei  
  "Chris Corrigan" <chris.corri...@gmail.com> schrieb: Colleagues:

Here to report on an OST meeting that I did on the weekend for a really 
interesting project which got youth to monitor violations of the UN Convention 
on the Rights of the Child..

The project was the brainchild of a number of organizations in the City of 
Vancouver, who came together to ask about how the UN convention could be used 
to draw attention to some of the pressing issues faced by children and youth in 
Vancouver.  These issues included experiences in the child welfare system, 
poverty, lack of equitably funded education opportunities in poor 
neighbourhoods, safety and treatment by police, transit security and others in 
power.

The project lasted over two months during which youth facilitators working with 
a team at the City of Vancouver set out to hold focus groups to educate youth 
about the Convention, and to gather information from youth themselves on rights 
violations.  More than that though, the youth were also invited to create 
visions for the future and for the City that they wanted to see, and these 
visions were harvested through words and pictures.

All of this work through local neighbourhood organizations culminated this past 
Friday and Saturday.  Thirty five youth gathered on Friday, to meet one 
another, build community and most importantly, reflect on their experience in 
the process and create a performance piece that would express a summary of what 
the project had learned.  The performance itself involved the construction of a 
mural, some spoken word and rap, music and playback theatre.  Parts of the 
performance were in English, Spanish, Portuguese, Hebrew and Russian.

Saturday morning, leaders from various levels of government and organizations 
were invited to join the youth in Open Space to figure out where to go forward. 
 The project was officially over on the Saturday, and so we wanted to create a 
space in which the messages would get sent and an invitation made from the 
youth to the adults to work together to keep alive the spirit of what was 
happening.  Fifty five people gathered Saturday morning, and the youth did 
their performance which kicked off a short and intense Open Space.  There was 
some significant power in the room, including two Members of the Provincial 
Legislative Assembly one of whom is the the provincial child welfare critic.  
Topics raised included what to do to help youth live independently and in safe 
conditions, stopping police harassment of Aboriginal and Latino youth by 
working with the police, and educating youth and adults on rights.  All of the 
groups were composed of both youth and adults and the feeling in the room was 
one of possibility and optimism, despite the huge nature of some of the changes 
that were being discussed.  To have provincial politicians sitting in the room 
with street youth, working together to move forward the learnings from the 
project was a powerful experience.  

Increasingly I am seeing the possibility involved in bringing creative 
expression into play with youth working in Open Space.  I know there have been 
many conversations about playback theatre here over the years, but, being a 
little slow on the uptake sometimes, I'm just now beginning to see how it 
integrates with OST work.  The creative pieces, and the process of creating 
something together, is another practice ground for passion bounded by 
responsibility, and youth find their voices in many different ways when they 
are invited to work together to create art which is used as an invitation for 
action.  There are a number of places in which I think this can be a 
significant combination and I'll be looking for opportunities like this over 
the next little while.  In the meantime, if you have had experience combining 
youth, creativity and Open Space together, let me know so I can continue to 
expand my horizons on this a little bit.

I have a photo gallery from this event at my Flickr site, for those that want a 
more visual taste of the day.  

http://www.flickr.com/photos/31354844@N00/sets/1509187/

Cheers,

Chris 
-- 

CHRIS CORRIGAN
Consultation - Facilitation
Open Space Technology

Weblog: http://www.chriscorrigan.com/parkinglot
Site: http://www.chriscorrigan.com * * 
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