I think you can have more on the device, just not more than that in any one 
file. I guess recording TV wouldn't be possible in 98, it runs about 2 gigs 
per hour on mpeg-2, heh.

----- Original Message ----- 
From: "Curtis Delzer" <[EMAIL PROTECTED]>
To: "PC audio discussion list. " <Pc-audio@pc-audio.org>
Sent: Thursday, January 05, 2006 7:21 PM
Subject: RE: Sound Forge 8 and Noise Reduction Questions


> What are you writing at first 22,050hz at 16Bit  or smaller? in
> stereo, you could only go about 6 hours and 40 minutes at that rate
> before you'd fill a fat 32 disk with 2 gigabytes. 24K mp3s don't
> really sound that good, the smallest I do is 32K or 32K at the lowest
> vbr rating of the encoder engine I use, can't spell frahnhoffer but I
> tried, but, again, on the BP  24K mp3s I guess are ok. One mp3 at
> that length would be a little unwieldy to me, but that is just
> individual preference, and the bp does keep track of where you're
> reading in any case. What is a *.pca file?
> I am going to give GoldWave a look to see how they use noise
> reduction or how their native noise reduction works, it's worth
> the$50 because of the support to keyboards the program continues to
> have as well.
> Bruce, you're a good promulgator of the program, :) <grin>
>
> Curtis Delzer
>
> At 04:12 PM 1/5/2006, you wrote:
>>No, I'm doing many of the same things you mentioned already.  I'm getting
>>rid of beginnings and endings of all sides, blowing off all references to
>>cassettes in general.
>>
>>When I'm done, I have a single MP3, 24 KBPS, that works nicely in the Book
>>Port.
>>
>>I dug out the deck, and the crosstalk is no more.
>>
>>Sixteen sides is the most I've ever digitized--made for a heck of a file,
>>but it worked.
>>
>>I guess I could do all that region creation stuff, which makes sense, but 
>>I
>>save each side as a .pca file, then I combine them and render them as a
>>single MP3.  I don't even keep the stuff about "continuing on page
>>such-and-such" at the beginning of every side.
>>
>>
>>
>>-----Original Message-----
>>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>>On Behalf Of Curtis Delzer
>>Sent: Thursday, January 05, 2006 4:54 AM
>>To: PC audio discussion list.
>>Subject: Re: Sound Forge 8 and Noise Reduction Questions
>>
>>I initially forgot a couple steps, very important. After you've
>>recorded your "stereo" file with each track/side in the left and
>>right channels, you need to select the entire file and copy it to the
>>clip board and paste it into another window, one which is mono so the
>>sound will be in the center. OOPS, sorry about that.
>>You can do all the processing if you wish first before you do the
>>pasting into your mono file, but it is important if you can, to put
>>markers while the initial recording is being made when the cassette
>>sides end so you can find them in an 8 side file, for example, which
>>is just about the limit for fat32 (at 44,100Hz at 16bit stereo), if
>>you use that format on your hard drive. So, let's say you've recorded
>>your stereo file, 2 cassettes long which is about 3 hours, (probably
>>2:56 or so), select it all, then paste it into your mono file. First,
>>the left channel, then the right channel. When you reverse the right
>>channel, after you've done that, your 11 hour file will look like
>>this; again after you've sampled down to 22,050Hz in mono, side 1, 2,
>>5, 6, 7, 8, 3, 4, (from least to most time, left to right. I label
>>each region paying very close attention to the narrator so the
>>numbers coincide, but I don't keep him saying "side 2, side 3, etc.
>>and also I don't keep, "this book is up to 4 sides per cassette, or
>>"so many pages on so many sides," in digital format, (again just my
>>opinion, it is not needed, and, "to skip such and such in this book,
>>fast forward until a beep is heard, stop at that point to hear x x x,
>>or the beginning of the book."
>>The markers, though you made them going forward, after you've
>>reversed the right channel, the markers will be close to where the
>>"reversed" sides begin' or' end, but you'll have to hunt a bit. Make
>>new markers at the beginning and end of where you wish to create your
>>regions, so in that way if the left or right end of the region area
>>gets lost or unselected, you can readily find it again.
>>I just recorded, finished, "Undue Influence," by Steven Martini
>>tonight, while the Rose Bowl was going on, GO TEXAS! :) They did win,
>>during side 10 about 30 minutes before I finished the initial
>>recording before processing.
>>
>>At 04:47 PM 1/4/2006, you wrote:
>> >Thank you for such kind words, and I will do what I can to reveal
>> >what I do to get rid of noise in sound forge.
>> >Here is a message I sent to Nolan about it, but I'll amplify.
>> >Well, this is "off list," so no prob, and as far as replying, hey,
>> >what are we here
>> >fore, to help one another? Damn right! So, I enjoy it since I've done
>> >many hundred
>> >books and know how valuable it is when you hear something which,
>> >going in sounded
>> >like that unmentionable schtuff you mentioned, but coming out sounds
>> >fantastic! I,
>> >presume, you do have the sound forge noise reduction plug in, so if
>> >you do, then
>> >you're going to find that it will do a magnificent job, especially if
>> >you can get
>> >it to sample the sound in such a way that it automatically picks the
>> >"hiss," and/or
>> >the "noise" it is suppose to hear, and not what you don't want it to
>> >reduce like
>> >the voice. Since you've recorded in SF before and know how to
>> >reverse, what I do
>> >is make a region for each side of each cassette, and then have sf
>> >write those regions
>> >to specific *.wav files, and then use something else to make the mp3s
>> >at 32K or 32K
>> >with vbr so the sound is as good as it should be. I record at
>> >44,100Hz and then change
>> >the sample rate to 22,050, (NOT RESAMPLE) just change the sample rate
>> >so the pitch
>> >halves, to resample would not change the pitch but you'd loose
>> >quality, and then
>> >apply noise reduction since the noise you wish for the NR to hear
>> >would be at the
>> >correct pitch as well.
>> >I hope some of this rambling helps. You can change the amount of
>> >noise reduction
>> >in the nr reduction plug-in, rather than use the preset of "0.250
>> >seconds (a quarter
>> >second) (for fast computers) and then, since it's mode 1, you can
>> >then change the
>> >amount of supression in db. The "sample noise" checkbox should be
>> >checked, and when
>> >you first have it sample a noise, it auto unchecks itself since the
>> >nr plug-in has
>> >found the sample and made it's configuration and to that noise it's
>> >sampled, it's
>> >set. Change the db slider to, let's say, minus 40 DB and while
>> >listening to the "preview"
>> >you'll be amazed how wonderfully it will work. Then, save the
>> >setting, but make sure,
>> >before you save that setting, that the sample checkbox is then,
>> >checked, since if
>> >you use that setting in the future for another minus 40 db sample,
>> >you wish it to
>> >sample at least a quarter second of noise automatically, and by
>> >default. Many guys
>> >forget that checkbox and figure that since the slider is set for
>> >minus 40 db, it
>> >will get rid of the noise, forgetting that it needs to sample first
>> >some noise before
>> >it can apply it's magic to what you wish it to hear, not a voice or
>> >music. Plan to
>> >use a selected part of the noise when you make the nr plug-in hear
>> >noise, (the beginning
>> >of each side of a book is plenty of room for it) and you'll be really
>> >pleased, I
>> >guarantee.
>> >That dec, will make a huge difference though the handi-cassette is
>> >good one track
>> >at a time, even has better or less cross talk one track at a time,
>> >but is tedious
>> >that way. Recording off that dec in your garage (when you set it up)
>> >the right channel
>> >is tracks 4 and 3 sides 1 and 2 of the tape, and you know that if you
>> >first record
>> >1 cassette, that if you press tab it will put the left channel by
>> >itself into a way
>> >which you can work with separately. Press tab until you hear only the
>> >right channel,
>> >then reverse it all at once. Then you should down sample, normalize,
>> >noise reduce,
>> >make regions for sides (which for best results should be noise
>> >reduced separately)
>> >and then have sf make your *.wav files.
>> >Getting to those sliders for minus db can be problematic, though,
>> >fortunately I have jfw 5.0 and it's native sound forge configuration
>> >files, so the sliders can be found. You must play around a good bit
>> >in the plug-in configuration, trying up and down arrow to find out
>> >which field(s) get changed, but when you do and learn which does
>> >change that slider from about minus 12.5 db which is a default
>> >setting when using the preset for "fast computers with 250
>> >millisecond capture, you then will be amazed how well it works,
>> >again, especially, if it just hears noise such as tape hiss or hum
>> >before the recording begins.
>> >I hope all this helps. Take care and write to let me know how you're 
>> >doing.
>> >Curtis Delzer
>> >
>> >At 02:06 PM 1/4/2006, you wrote:
>> >Thanks for the outstanding advice regarding the plug-in and the
>> >handi-cassette.  I knew it was a piece of something unmentionable when 
>> >it
>> >came to reproducing stereo sound; I need to hunt up my old cassette deck
>> >stored in a box in the garage, and I'll do that this weekend.
>> >I wonder if we could communicate via e-mail off list so I can get a
>>somewhat
>> >better handle on how to even begin to use that plug-in.  I can't even 
>> >get
>> >the auto trim crop to trim the silence off both ends of the recording
>> >appropriately--obviously operator incompetence alive, well, and at work 
>> >in
>> >front of my keyboard.  <smile>
>> >Again, Curtis, thanks for replying.  I know it took time out of your 
>> >life,
>> >and silly and goofy as it sounds, any time I get a reply from anyone, 
>> >it's
>> >kind of a significant thing, especially when I stop and recognize how 
>> >busy
>>I
>> >get and how easy it is to just say "poor slob; hope someone somewhere 
>> >can
>> >figure that out for him," and hit the delete key.  So when I say thanks 
>> >for
>> >writing back, I truly am grateful.
>> >Where do I even go to activate the plug-in?  I assume I have to select 
>> >some
>> >tape hiss; that's easy enough to do.
>> >And do you do that before or after you resample?
>> >Nolan Crabb
>> >[EMAIL PROTECTED] or
>> >[EMAIL PROTECTED]
>> >-----Original Message-----
>> >From: [EMAIL PROTECTED] [
>> >mailto:[EMAIL PROTECTED]
>> >]
>> >On Behalf Of Curtis Delzer
>> >Sent: Wednesday, January 04, 2006 12:18 AM
>> >To: PC audio discussion list.
>> >Subject: Re: Sound Forge 8 and Noise Reduction Questions
>> >Sorry, but the  HANDI-CASSETTE has a lot of cross talk by default,
>> >and nothing in sound forge can correct this. A better way is to use a
>> >regular stereo cassette dec and record tracks 1 and 4, then turn the
>> >cassette over and then record sides 2 and 3. This will make a file
>> >about an hour and a half long, (probably closer to about 84 or 85
>> >minutes give or take). In SF you can press tab and get to either the
>> >left or right side, and you wish to reverse the right channel as you
>> >know. If you have the SF noise reduction plut-in, it is superlative
>> >at getting rid of the hiss. The commercial cassette stereo recorder
>> >has a much better cross talk capability, even a non expensive one.
>> >Somehow, the HANDI-CASSETTE, in stereo, is pretty lousy in this
>> >regard. If you use the sound forge noise reduction plut-in, use a
>> >facility in it which lets you sample the hiss in such a way that it
>> >is beyond the beginning of the tape and just before the narrator
>> >begins, and save the setting. You can tweak the settings to get that
>> >hiss up to 99 db below what it is, and if you do it right, the hiss
>> >will be virtually gone leaving the recording even better than the
>> >original, I know, I've done it several hundred times.
>> >Good luck!
>> >Curtis Delzer
>> >At 05:18 PM 1/3/2006, you wrote:
>> >  >Greetings, all, and thanks in advance for reading this.
>> >  >
>> >  >I'm using Sound Forge 8 to digitize NLS four-track books for use in 
>> > my
>>Book
>> >  >Port.  So here's the question:
>> >  >
>> >  >I'd love to reduce some of the tape hiss I get and to reduce some of 
>> > the
>> >  >crosstalk that comes about when I record in stereo.  (I record using 
>> > a
>> >  >handi-cassette as my player, record the tapes at double speed, then
>>reverse
>> >  >tracks 3 and 4.  I then resample the recordings so the speed is 
>> > normal,
>> >  >combine the tracks and save them as single MP3 files that I later 
>> > suck
>>into
>> >  >the Book Port.
>> >  >
>> >  >How do I institute the plug-in that would help reduce at least the 
>> > hiss
>>if
>> >  >not the crosstalk?
>> >  >
>> >  >Please, no messages about how I need a different player as my source.
>> >Trust
>> >  >me, I get that already!
>> >  >
>> >  >Thanks for any help you can give.
>> >  >
>> >  >Nolan Crabb
>> >  >
>> >  >
>> >  >_______________________________________________
>> >  >PC-Audio List Help, Guidelines, Archives and more...
>> >  >
>> >http://www.pc-audio.org
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>> >
>> >At 02:26 PM 1/4/2006, you wrote:
>> > >Nolan, I have had good results in removing crosstalk by using the
>> > >Noise Gate function in the SF8 menu.  That's Noise Gate rather than
>> > >Noise Reduction.  You need to tinker with the decibel setting -
>> > >somewhere between -30 and -35 worked best for me without cutting off
>> > >the speech at the end of phrases, and you still get crosstalk
>> > >sometimes during the speech, but it made a big difference in the final
>> > >product.
>> > >
>> > >I endorse Curtis's suggestion (posted later) of using a commercial
>> > >stereo cassette deck, and resampling and reversing tracks to get the
>> > >final result.  It's a little more technically intensive, but the
>> > >results are worth it.  I would love to know Curtis's secret for
>> > >removing as much hiss as he does with Noise Reduction.  I could never
>> > >achieve those results, which I am sure is more a comment on the
>> > >operator than on the product.
>> > >
>> > >
>> > >----- Original Message -----
>> > >From: "Nolan Crabb" <[EMAIL PROTECTED]>
>> > >To: "'PC audio discussion list. '" <Pc-audio@pc-audio.org>
>> > >Sent: Tuesday, January 03, 2006 8:18 PM
>> > >Subject: Sound Forge 8 and Noise Reduction Questions
>> > >
>> > >
>> > >Greetings, all, and thanks in advance for reading this.
>> > >
>> > >I'm using Sound Forge 8 to digitize NLS four-track books for use in my
>> > >Book
>> > >Port.  So here's the question:
>> > >
>> > >I'd love to reduce some of the tape hiss I get and to reduce some of
>> > >the
>> > >crosstalk that comes about when I record in stereo.  (I record using a
>> > >handi-cassette as my player, record the tapes at double speed, then
>> > >reverse
>> > >tracks 3 and 4.  I then resample the recordings so the speed is
>> > >normal,
>> > >combine the tracks and save them as single MP3 files that I later suck
>> > >into
>> > >the Book Port.
>> > >
>> > >How do I institute the plug-in that would help reduce at least the
>> > >hiss if
>> > >not the crosstalk?
>> > >
>> > >Please, no messages about how I need a different player as my source.
>> > >Trust
>> > >me, I get that already!
>> > >
>> > >Thanks for any help you can give.
>> > >
>> > >Nolan Crabb
>> > >
>> > >
>> > >_______________________________________________
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