Hi Jan,

You should be able to take a .WAV file and work on it in either Studio
Recorder, Sound Forge, or Cool Edit without any problems.  Though, I don't
know if any of those others would recognize Studio Recorder's marks.

Blessings,

Brian

----- Original Message ----- 
From: "Jan Santos & Doyle Saylor" <[EMAIL PROTECTED]>
To: "PC audio discussion list. " <Pc-audio@pc-audio.org>
Sent: Monday, February 20, 2006 8:35 AM
Subject: Re: Multitracking accessible software questions.


> Thank you all so much for your helpful feedback.
>
> One thing I neglected to ask:  If I work in Studio Recorder or any of the
> other software you all have suggested, I need to be able to then work on
> the same files with say SoundForge or Cooledit etc. which others in my
> radio collective might be using, as we share work on the same files.  I
> assume if I can make my files wave files, this transferring between
> programs could happen.  Is this true?
>
> Thanks again to all of you; I very much appreciate your responsiveness and
> helpful info.
>
> Jan Santos
>
>
>
> At 07:57 PM 2/19/06, you wrote:
> >Hi Jan,
> >
> >Studio Recorder version 3.0 is officially out, and it supports both sound
on
> >sound and multi-tracking capabilities.  I'm currently using it for both
> >laying down tracks for a recording project, as well as adding background
> >music to other projects.
> >
> >They've also added dynamic compression, a click track, background
processing
> >for MP3's, some very nice analytical tools, and a whole lot more.  Here's
a
> >list of all the fixes, changes, and additions.
> >
> >Revision History - Studio Recorder
> >
> >Revision History
> >
> >What's new in Studio RecorderT
> >
> >The following enhancements and corrections were made to Studio Recorder.
> >List of 125 items (contains 2 nested lists)
> >
> >Version 3.0, February 2006
> >. Adds the
> >Mix
> >command to the Edit menu for mixing the clipboard into the current
document.
> >. Adds the
> >Arm for Synchronized Play
> >command to the Transport menu for creating Sound on Sound mixes.
> >. Enhances the
> >Normalize dialog
> >to allow dynamic compression and use of peak or RMS level as a normalize
> >reference.
> >. Enhances the
> >Change Volume dialog
> >to allow dynamic compression.
> >. Adds the
> >Cross Fade
> >command to the Process menu.
> >. Adds the
> >Cross Fade Delete
> >command to the Edit menu.
> >. Adds the ability to paste and insert files that differ in sample size
and
> >number of channels.
> >. Addsl the ability to change the file format (excluding the sample rate)
> >for existing documents.
> >. Adds
> >background processing
> >for mp3 encoding.
> >. Adds the
> >Cancel Background Processing
> >option to the File menu.
> >. Adds the
> >Dip/Rise
> >command to the Process menu to help gradually change volume levels over
> >time.
> >. Adds a
> >Fade
> >tab to the Settings dialog to control the aspects of all commands that
use
> >fades.
> >. Lets you specify a fade type for the Cross Fade, Cross Fade Delete, and
> >Fade In/Out commands.
> >. Adds the
> >Find Previous and Next Highest Peak
> >commands to the Tools menu.
> >. Adds the
> >Swap Channels
> >command to the Process menu.
> >. Adds the
> >Trim Edges
> >command to the Edit menu.
> >. Adds the
> >Generate Click Track
> >command to the Tools menu.
> >. Adds the
> >Previous Window
> >command to the Window menu.
> >. Adds progress percentages of long operations to the status bar.
> >. Adds the
> >Use same folder for file functions
> >checkbox to the Advanced page of the Settings dialog.
> >. Adds the
> >Enable Milestones
> >command.
> >. No longer requires a selection for the Fade and Mute commands.
> >. Adds support for additional remote controls.
> >. Adds a
> >remote control key describer
> >dialog.
> >. Changes the behavior of the
> >Start Selection
> >and End Selection commands.
> >. The keys "<" and ">" were used for the pre/post-roll feature. These
keys
> >are now officially "," and ".".
> >. Enhances the
> >audible clip indicator
> >by letting the user specify the clip threshold.
> >. Adds the Save External Marks control to the Advanced tab of the
Settings
> >dialog to control weather or not you wish to export marks when encoding
mp3
> >files.
> >. Changes the behavior of the Record command when recording over existing
> >marks. The program previously preserved these marks, but this version
> >overwrites
> >them.
> >. Changes The maximums for Source-up and Destination-down to 500 MS. This
> >addresses concerns with controllers with very loud buttons.
> >. Changes the minimum allowable sample rate from 8000 Hz to 4000 Hz. This
> >allows
> >k7.net
> >users to play their 6000 Hz files.
> >. Suppresses the "Not 16-bit PCM" message when attempting to use phrase
> >navigation in documents which are not 16-bit PCM. Instead, a beep is
heard.
> >. Corrects a problem when using the Compress Time function with named
marks.
> >. Corrects the issue of destroying index tones when using the Compress
> >Pauses function.
> >
> >
> >Blessings,
> >Brian
> >
> >----- Original Message -----
> >From: "Jan Santos & Doyle Saylor" <[EMAIL PROTECTED]>
> >To: "PC audio discussion list. " <Pc-audio@pc-audio.org>
> >Sent: Sunday, February 19, 2006 7:46 PM
> >Subject: Multitracking accessible software questions.
> >
> >
> > > Hi everyone,
> > >
> > > I am currently using Soundforge to edit for a radio program which at
times
> > > involves the need for multitracking work and the mixing of tracks.  I
have
> > > been able to do a limited amount of this with Soundforge but it is
time
> > > consuming (at least for me so far).
> > >
> > > I am told that Cooledit is capable of doing this task better, but I do
> > > k\now know how accessible Cooledit is to blind users.
> > >
> > > I am also loooking at Studio Recorder, and so far it is my impression
that
> > > this does not do multitracking and mixing.
> > >
> > > If anyone has any information about these specific software products
or
> >any
> > > additional ones in regard to multitracking, I would very much
appreciate
> > > your feedback.  Thank you in advance for any help you might be able to
> >offer.
> > >
> > > Jan Santos
> > >
> > >
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