Yes, please post the patch, Andy. This is something I've wanted to do
for some time.

I got something nice with an additive synth made up of individual
[osc~] objects, by constantly shifting the levels of the harmonics.
Even doing random harmonic values generated pretty cool results.

But, doing this with a wavetable would be MUCH more CPU efficient, not
to mention that I could calculate, say 64 partials instead of the much
lower number I was using.

~David

On 12/29/06, Kyle Klipowicz <[EMAIL PROTECTED]> wrote:
Hi Andy~

Did I miss this post?  I'd like to take a gander at your useage of
wavecycles too!

~Kyle


On 12/28/06, Patco <[EMAIL PROTECTED]> wrote:
> [EMAIL PROTECTED] a écrit :
> > Couldn't quite follow what you were doing there Pat.
> I forgot to put the comments in my first commit,
> so it make the patch hard to understand with all mistakes there was
> inside...
> >  Here's my take on
> > a way of fading between two waveshapes stored in tables that might
> > help.
> What I am looking for is a little bit more complicated because it's
> about fading between more than two waveshapes,
> but the principle is the same.
> >  It isn't very well commented but in a few words:
> >
> Neat composition!
> I finally enjoy my mistakes,
> which has driven my hears to listen to this piece.
> > there's two tables, the crossfader exchanges back and forth between
> > the two, each one is written randomly with a wavecycle (a random set
> > of values times a curve to smooth the ends) when it has zero volume
> > - so we get a continuously morphing pad sound.
> >
> >
> >
> This is a way very interesting to study, for generating waves, very
> astonishing.
> I was planning to do something similar in some uncertain future, but
> filling tables with voice formants.
> PC.
>
>
>
>
>
>
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