Unlike all the rest of the equal-tempered scale, octaves are easy, just divide by half or multiply by two (or multiples thereof). If it's thirds and fifths and all that, it gets a bit more complicated unless you are into just intonation where the ratios are actually the ratios and haven't been "t(a/e)mpered" with (by setting up logarithmic relationships inside the octave rather than across the whole range of notes.)

http://en.wikipedia.org/wiki/Mathematics_of_musical_scales
http://en.wikipedia.org/wiki/List_of_meantone_intervals
http://en.wikipedia.org/wiki/Just_intonation

For myself, using the just intonation ratios just works because it's simpler math. However, like Andrew I'm not sure beyond this simple advice what it is you're exactly trying to do. So hope this helps... Any actual lettered students of tuning systems feel free to kick me, I'm a mere dilettante in this world...

best!
D.

J bz wrote:
Dear all,

I have five chimes. I've worked out the frequencies (using Audacity) of the 5 strongest partials of each chime. I now want to be able to work out how to change the octaves of the various partials? My original intention was to find the nearest midinote and just use those but after listening to the results I would much prefer to keep the original ratio's whilst being able to alter the 'inversions'.

Here's the list that I have already:
BT1
    912Hz
  2434Hz
  4575Hz
  7175Hz
11584Hz

BT2
  1081Hz
  2861Hz
  5339Hz
  8325Hz
15209Hz

BT3
  1211Hz
  3196Hz
  5935Hz
  9199Hz
15206Hz

BT4
  1347Hz
  3553Hz
  6569Hz
10128Hz
18139Hz

BT5
  1812Hz
  4699Hz
  8525Hz
13264Hz
15469Hz

Is there one piece of mathematrical wizardy that can sort this in Pd?

Cheers,

Jbz


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