Hi Pierre,

ah yes, Karplus-Strong, I forgot that keyword!

As for the analysis time of fiddle~, remember that computers aren't really real-time systems ;-) Besides that, you can change the analysis window size. Smaller windows equal faster analysis but less precision for lower frequencies. But yes, maybe new thread....

Good luck!
Derek

Pierre Massat wrote:
Hi,
I have tried your patch called karplus-strong. This is just amazing! This solved two problems at once : getting a sitar-like sound plus a sympathetic strings simulation. Thank a lot!

Although i think i should open a new thread about this, i was a little shocked by the time fiddle~ takes to output a pitch (i used it to control a resonator with my guitar). I think it was way above 10 ms. I haven't tried sigmund~ yet, though. Do you know what latency i should expect? I think 5 ms should do.
Anyway, thanks again for introducing me to the Karplus-Strong model!

Pierre

2010/2/12 Pierre Massat <pimas...@gmail.com <mailto:pimas...@gmail.com>>

    Thank you Derek! I'll give it a look.
    Best,

    Pierre

    2010/2/11 Derek Holzer <de...@umatic.nl <mailto:de...@umatic.nl>>

        Hi Pierre,

        I've found resonant comb filters to be the most useful in both
        simulating string sounds, and in getting sympathetic resonances.
        There's tons of stuff in the list archives on them, in
        particular a patch (maybe I even posted it) on calculating the
        correct delay length for produce a given pitch. Search for "comb
        filter".

        Best
        Derek


        Pierre Massat wrote:

            Hello everyone,

            I was wondering if anybody on this list would have an idea
            of how one can simulate sympathetic strings in pd, using any
            kind of audio input (especially NOT midi). I tried making a
            patch with 12 resonating filters (moog~), each tuned to a
            particular frequency belonging to the chromatic scale, but
            the result wasn't too good (it sounded more like a weird
            reverb).
            My problem is basically that of isolating certain
            frequencies in the input sound. I don't believe that objects
            like fiddle~ or sigmund~ would be very helpful in that
            matter, as they always start freaking out once you feed them
            with chords.
            I haven't found anything useful on the internet yet.
            Any idea?

            Pierre



-- ::: derek holzer ::: http://macumbista.net :::
        ---Oblique Strategy # 130:
        "Question the heroic"




--
::: derek holzer ::: http://macumbista.net :::
---Oblique Strategy # 205:
"First work alone, then work in unusual pairs."

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