Totally agree with you. A nice illustration of the importance of the context : One of the students in my school is from Kinshasa. He was in my office one day and i asked him if he knew Konono N°1. He said yes, i know them, they play a very traditional kind of music, they are invited to play at funerals. A few weeks later i told him that Konono was playing in Paris the next week-end. He looked surprized. He said there are dozens of other bands who play this kind of music in Congo.
The context always matters. We rarely invent anything at all. Pierre 2011/6/23 Olivier Baudu <lamouraupeu...@gmail.com> > >The fact that he created it on a sequencer in 97 and not on a drumkit in > 1963 doesn't make any difference to me. > > Ok, but could "beatjazz" be played in an other way than Onyx did ? > If "beatjazz" can't be triggered pre-record patterns, it's pity (for me) > that the audience think it is... > > By the way, if Flim had been created in 63 it would make a big difference > for me... > The context of a creation matters, don't you think ? > > Cheers... > > > 01ivier > > -- > Envie de tisser ? > http://yamatierea.org/papatchs/ > >
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