actually, i think millers take on this is still the best idea and since there 
is also a sc~ external for max, max could be used as a mere canvas :-)
but one still would have to come up with some impressive music ;-)
(whatever that might mean)

how about inventing a composer named "donatién collidus" and reach out to the 
supercolliders for a collaborative effort?
i´d happily provide assistance with my maxlicense in wrapping it all up.

hans
www.hans-w-koch.net





Am 04.01.2012 um 00:24 schrieb pd-list-requ...@iem.at:

> Message: 2
> Date: Tue, 3 Jan 2012 15:24:06 -0800 (PST)
> From: Jonathan Wilkes <jancs...@yahoo.com>
> Subject: Re: [PD] no pd??
> To: Richie Cyngler <glitch...@gmail.com>, Mathieu Bouchard
>       <ma...@artengine.ca>
> Cc: servando barreiro <servandi...@yahoo.es>, Miller Puckette
>       <m...@ucsd.edu>,        "pd-list@iem.at" <pd-list@iem.at>
> Message-ID:
>       <1325633046.97311.yahoomail...@web39404.mail.mud.yahoo.com>
> Content-Type: text/plain; charset=iso-8859-1
> 
> Exactly.? You'd essentially write the same patch twice-- once completely in 
> Max, and if it gets accepted then with Pd and wrap it in a [pd~] object.
> 
> OR:
> 
> In fact you could just work with the subset of objects that are exactly the 
> same between the two environments:
> [cos~]
> [phasor~]
> [biquad~]
> and so on.
> 
> Then just make sure you don't have whitespace inside [expr] or [expr~], and 
> you could really just write the whole thing once in Pd, submit it as a Max 
> patch, and perform it as a Pd patch.
> 
> That would be the most effective way to show the idiocy of the way the call 
> was written.
> 
> 
> -Jonathan


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