Call for submissions: ECHO #7 - Speculative Sound Synthesis

Deadline: February 28 2025

The online journal ECHO invites submissions for its upcoming seventh issue on 
"Speculative Sound Synthesis," edited by David Pirrò, and Leonie Strecker. ECHO 
is the online publication of the Music, Thought and Technology research group 
at Orpheus Instituut, Ghent.

The artistic practice of sound synthesis has evolved in close relation to 
science and technology. This relationship has been fundamental, offering new 
means and methods for experimentation while simultaneously instilling a strong 
pull toward standardisation, closure, and control.

"Speculative Sound Synthesis" destabilises and recomposes the multilayered 
relationship between technology and artistic practice, seeking to unleash 
aesthetic potentials that would remain unseen or hidden by technological 
habits. Speculation, in this context, denotes a questioning attitude that 
emphasises hypothetical thinking, curiosity, and exploration. As an artistic 
practice, speculation functions as a situated oscillation between experience 
and imagination, generating new forms of knowledge and opening pathways to 
novel aesthetic thinking.

This special issue welcomes contributions from practitioners who are committed 
to critical and speculative approaches at the intersection of art and 
technology. Within this hybrid space, synthesis is understood both as a means 
of producing new forms and, in a more abstract sense, the practice of bringing 
forth assemblages of materials and concepts. We seek contributors engaged in 
practices that question, challenge, criticise, deconstruct, recompose, 
reformulate, shift, dislocate, endanger, or reject established standards of 
sound synthesis, exploring aesthetic positions that offer alternative 
perspectives on thinking and creating sound.

For further details and submission instructions, please click:
https://echo.orpheusinstituut.be/current-call

This issue is edited by the Speculative Sound Synthesis research project team. 
The "Speculative Sound Synthesis" project is funded by the Austrian Science 
Fund (FWF) within the Programme for Arts-based Research (PEEK) – PEEK AR 713-G 
and is hosted by the Institute of Electronic Music and Acoustics (IEM) at the 
University of Music and Performing Arts Graz.

https://speculative.iem.at/
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