It would appear that although the title of the thread is still strange the
subject matter has changed. I'm back and ready to make a whole load of
filters should it happen again.

Photographers don't usually hand over the negatives after they have
completed an ordinary job, like taking pictures of a wedding, or making
studio portraits. They hang on to them and hope more prints will be ordered.
I'm also willing to bet that if the client demanded the negatives there
would be immediate disagreement about who owns them. I'm also sure that if
it got to court, the client would win and get his negatives, unless there
was some kind of prior agreement. But who would sign an agreement allowing a
photographer to keep pictures of them? To what end? What possible reason, or
excuse, can a photographer have for doing this if the matter came up? I'm
quite sure most people would say no. And perhaps question the photographer's
intentions. It's silly and in my opinion unethical to try to hold on to
negatives that belong to someone else. If a client gets a load of prints
made elsewhere that's too bad. But what a client cannot do is lay claim to
the pictures. He cannot say he took them and if he does its time for
litigation. But it can get very complicated. Copyright Law might look quite
simple on paper, but specialist litigators make vast amounts of money when
it comes to the application.

When a client pays to have something - say products - photographed its very
clear that everything to do with them, including the negatives, belong to
him - not the picture taker.

The copyright of printed matter, novels, biographies and such-like is a
little more difficult. An author passes the copyright over to the publisher
as part of a contract - usually. I didn't (don't) but such an agreement has
to be negotiated. So anyone getting a photo book ready beware. It's best to
retain the copyright oneself, if at all possible. But Daniel knows more
about this stuff an I'm sure he'd have more useful comments than these.

Dr E D F Williams

http://personal.inet.fi/cool/don.williams
Author's Web Site and Photo Gallery
Updated: March 30, 2002


----- Original Message -----
From: "T Rittenhouse" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Friday, December 13, 2002 4:12 PM
Subject: Re: PROS-was:ABORTION-was: Way OT: GUNS, GUNS, AND MORE GUNS.


> Someday, I am going to have to read up on Canadian copyrigth law. Of
course
> in my last look around I found that apparently some lobbying has been done
> re copyright here in the US, as there are now several types of work that
are
> defined as WFH unless otherwise agreed. Which was one of the things the
new
> copyright law was supposed to get away from. That is it had the same rules
> in all cases. Now it changes depending what you are doing. And, no Mr &
Mrs
> Joe Public were not included in those catagories.
>
> Ciao,
> Graywolf
> http://pages.prodigy.net/graywolfphoto
>
>
> ----- Original Message -----
> From: "William Robb" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Sent: Friday, December 13, 2002 7:01 AM
> Subject: Re: PROS-was:ABORTION-was: Way OT: GUNS, GUNS, AND MORE GUNS.
>
>
> >
> > ----- Original Message -----
> > From: Feroze Kistan
> > Subject: Re: PROS-was:ABORTION-was: Way OT: GUNS, GUNS, AND MORE
> > GUNS.
> >
> >
> > > Hi William,
> > > If the employer owns the work, does that include the negs as
> > well or
> > > just the right to reproduce the images and the negs stay in
> > the
> > > photographers
> > > possession?
> >
> > In the absence of any agreement to the contrary, the employer
> > owns the work. Why shouldn't he? He is paying to have it done. I
> > don't see why this is such a hard concept, most of us have jobs,
> > we have employers, and whatever work comes off our desks is
> > owned by that employer.
> > Being a photographer employed by someone else is no different in
> > concept from being a factory worker building the camera the
> > photographer uses.
> > The employer owns whatever it is you have created, and you don't
> > get ownership in it. Creativity is a commodity that is bought
> > and sold every day.
> > Any time you solve a problem at work, you have just sold your
> > creativity.
> >
> > William Robb
> >
>
>


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