Similar to Pentax, there are still many Nikon fans supporting the Nikon manual gear. 
The following is some discussion from a egroup for the possible impact of Nikon 
digital development on manual users. Any opinion from you??


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Message: 3
   Date: Mon, 16 Dec 2002 10:31:03 -0500
Subject: OT: DX Lenses and other Digital Stuff

There's been a lot of "digital traffic" on the list lately, and some of it
needs comment.

> Well, I heard an opinion worth to consider (the guy used to be a member
of
the list, I don't know if he's around). As CMOS's are not, and might not
ever will be, up (or down) to the resolution of photographic film, it would
be a waste of money, time and effort for any manufacturer to design a lens
with improved resolution compared to old designs.

I guess Nikon is wasting money, then. Nikon is claiming that the new DX
lenses are actually designed to a higher resolution standard (200 lppm)
than
the 35mm lenses. As for the rest of the "guy's" statements, well, let's
just
be friendly and say that they are naive. CCD resolution would top out at
about the 1 micron level under current designs, but any smaller would have
diffraction issues to deal with. CCD resolution will likely always be a
little bit different than film resolution due to the overlap vs non-overlap
designs, but I think you need to define "resolution." Digital
camera/printer
already exceeds what I was able to achieve with slides and wet process
darkroom printing, and it's fast approaching slides scanned with drum scan
and printed digitally. Curiously, the "Bible" of photographic information,
The Manual of Photography 9th Edition, has an interesting aside in it where
it is stated that digital has already equaled film in terms of the amount
of
"information" that can be stored.

> Is the DX lens development bad news to film photographers?

Probably. At least at the wide angle end. Nikon has limited development and
production capability. The development of DX wide angles comes at the
expense of potential new 35mm wide angle lenses. Moreover, as digital
production heats up, we'll see more discontinuance of current "marginal"
lenses, and the MF lineup is certainly one of the possibilities to stop
production on.

> On the other hand, it says nothing about whether Nikon is developing a
full-frame DSLR. Perhaps Nikon is covering all it's bases.

Perhaps, but I made a written prediction back in September that Nikon would
likely continue with APS-sized sensors on digital SLRs. The DX lens line
seems to support this, especially when you consider that the statement
tells
us that the DX lens is designed for at least 3x the line pair resolution
the
current digital bodies are capable of.

> The sensor in the D1X is really 4018 X 1312, a very odd shape. Not
anywhere near the typical 3/2 format of the 35mm frame.

Just to be clear, the 4018x1312 doesn't define the shape, as the photosites
are not square. Moreover, there's "space" between photosites, so knowing
the
size, number and orientation of the photosites doesn't tell you much about
the aspect ratio of the frame.

> I don't think it's fair to claim the D1X is a 10MP camera just because
you
can use digital manipulation...but the final resolution that the image from
the camera
contains is a maximum of 3008 x 1960 pixels in any format...You can't
honestly claim you can increase the ultimate resolution by changing the
decoding algorithms in an outboard program to interpolate to a bigger image
by adding pixels that weren't in the original
image as the camera would have decoded it.

Actually, the camera "manipulates" data in ANY format it's capable of
saving
in. With a D1x there simply is no one-to-one correspondence between
photosite and pixel, period. Thus, the 10MP interpretation pioneered by
Bibble and QImage is just as valid as the downsize/upsize JPG
interpretation
the camera does. Short of the Foveon-based Sigma SD9, no current digital
SLR
can be said to have a "native" RGB resolution (well, okay, technically the
small JPEG out of the S2 Pro has a one-to-one correspondence between four
photosites and a pixel).

Rather than continue to polluting the MF list with digital talk, I suggest
that, if you're interested in continuing the digital side of this
discussion
you visit the NikonSLR forum at dpreview.com, where these topics and more
have been discussed to death. I do think the original query was quite on
the
mark for this list, though, and I'll repeat my answer: yes, the DX lens
introduction probably has implications on 35mm lenses. Reading both between
the lines of the press release and Nikon's recent patent activity, wide
angle activity at Nikon is centered on DX designs. That's a shame, as there
are several 35mm WA lenses that could use a redesign (18mm f/2.8 is one of
them).



Message: 5
   Date: Mon, 16 Dec 2002 09:26:45 -0800 (PST)
Subject: Re: OT: DX Lenses and other Digital Stuff


Hi Thom, Yet again i find myself drawn into this digital dilemma business.
I still think concerning state of the art "pro" SLR's of the digital ilk,
that y'all should go to Kodaks' site and check out the ultra-spendy Kodak
Pro DCS14n, expected to be released next month. With a custom built body
by
Nikon, and a full frame 24x36mm sensor, this 13+megapixel machine promises
to be the closest yet to what we traditionalists are used to. Anyway, I
thought this was supposed to be a Nikon MF group.... so why do we keep
going there?


Message: 6
   Date: Mon, 16 Dec 2002 12:43:13 -0500
Subject: Re: New "DX" Nikkor concept - bad news for NikonMF'ers?...


"I doubt seriosly that Nikon will leave us hanging. The one exception being

the trend towards autofocus. Look at how many folks still shoot large
format
cameras, and there seems no lack of equipment for them, and the consumer
market for point and shoot 35's is still growing by leaps and bounds."

Not that many people use large format cameras.  One of the hottest cameras
right now sold 500 copies in its first few _years_, for about what an F5
sells for.  And as for there being no lack of equipment for us, one of my
lenses is uncoated and 80 years old this year.  There is no modern
equivalent; the closest new lens costs 18 times as much and weighs about
10

times as much.  If the mass market abondons film, be prepared for just this

kind of economic reality in the 35mm world.

Bringing out DX-series Nikkors simply mean that Nikon is ensuring its
current digital user base of support, the same way that rabbit ears on AIS
lenses supported people with Photomics.  And who knows if this is such a
"new" lens.  Remember that APS and the current D1 digital sensor are about
the same size.  A 12-24mm zoom would have been a great APS superwide, and
Nikon may just be trying to make a buck off of an aborted lens.  I boldly
predict that future DX lenses will spec out identically to the IX-Nikkors.



Message: 8
   Date: Mon, 16 Dec 2002 16:18:06 -0600
Subject: Re: New "DX" Nikkor concept - bad news for NikonMF'ers?...

>Bringing out DX-series Nikkors simply mean that Nikon is ensuring its
>current digital user base of support, the same way that rabbit ears on AIS
>lenses supported people with Photomics.  And who knows if this is such a
>"new" lens.  Remember that APS and the current D1 digital sensor are about
>the same size.  A 12-24mm zoom would have been a great APS superwide, and
>Nikon may just be trying to make a buck off of an aborted lens.  I boldly
>predict that future DX lenses will spec out identically to the IX-Nikkors.

With respect to Series IX lenses, I speculated to a similar effect in the
NikonD100 group here on Yahoo yesterday, so I agree.  However, any 12-24mm
would have to have been an "aborted" one, as you say, because the APS
Series IX lenses actually issued were only three: a 30-60mm f/4-5.6, a
20-60mm f/3.5-5.6, and a 60-180 f/4.5-5.6 - The APS format requires almost
identical coverage as the current Nikon Digital SLR CCD's.


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