You're right, there were lots of shots there. Unfortunately, that was the only one I took, as it was the last frame on the film, and that was my last roll of film. I'd have tried a few other shots, if I could have.
You saying that you're a "sucker" for that kind of shot makes me think that it's a bit of a cliche (not that that's a bad thing...). In retrospect, I might have cropped the bottom seat out, but I'm happy with it as is.
I would tell you more about my secret camera, but then I'd have to kill you... <vbg>
Thanks again, frank
"The optimist thinks this is the best of all possible worlds. The pessimist fears it is true." -J. Robert Oppenheimer
From: "John Francis" <[EMAIL PROTECTED]> Professional Hogs - Frank Theriault
I'm a sucker for this kind of shot. This shows exactly the sort of image I'd try to get. There are so many other good opportunities here, too - the reflections in that nice shiny chrome, the row of red lights (would they line up nicely in a shot with a longer focal length), etc., etc. (So what's this Peetnax MX? Some banned third-party gear?)
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