Not so far fetched actually.  I didn't really get interested in photography
until the first digitals came out.  I bought one and thought it was cool.
Then I happened to try a friends 35mm and realized this was much better.  I
even bought another 4Mb digital after that, but 35mm was still better at
that time.  They are more advanced now though and if I had bought something
like the *ist D I doubt I would have ever gained an interest in film.
However with the lower end to even decent 35mm costing less then many
digicams, it leaves the door open for interest in the better features of the
35mm SLR.  Real autofocus or manual, total exposure control, more then 2 or
3 apertures to choose from, a real viewfinder, powerful add on flash, less
battery issues, not to mention the improved picture quality even now as
compared to a digicam were all reasons my digicam to this day mostly
collects dust. The price tag of a 35mm basic kit even as compared to a
digital rebel with accessories is still much lower.  It's even lower in many
cases then a decent quality digicam.  I would take a Walmart 35mm SLR
kit(which is what I basically used for 35mm SLR pricing here) for a
important shot any day before I would dust off the digicam.

I'm not putting down the quality of DSLR at all here.  Just comparing
available performance dollar for dollar as I know it.  Although the very
real risk of spending thousands of dollars on lenses could offset this, but
they don't know that until they get the photo gear bug.  Many might mention
here that I did not consider the film and developing costs here.  That's
true, but I highly doubt most people will shoot as many photos as the folks
shooting the *istD's on this list.

> -----Original Message-----
> From: Antonio Aparicio [mailto:[EMAIL PROTECTED]
> Sent: Saturday, July 17, 2004 2:53 PM
> To: [EMAIL PROTECTED]
> Subject: Re: Film is Dying? (was Pentax is Dying?)
>
>
> Also, an angle not mentioned is the renewed interest folks are having
> in photography generally as a result of digital- perhaps it will be the
> saviour of film and not the other way around...
>
> A.
>
>

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