Well said, I'm with you here...

Beside (maybe) tilting a bit I would not change anything in Josteins
picture, certainly not the colors.
It is already very good. Do we really have to "process" every photo on the
computer nowadays?

greetings
Markus


>>-----Original Message-----
>>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>>Sent: Monday, March 21, 2005 1:41 AM
>>To: pentax-discuss@pdml.net
>>Subject: Re: PESO: "Gotcha" - Jerusalem, and a little rant
>>
>>
>>Quoting Shel Belinkoff <[EMAIL PROTECTED]>:
>>regarding> > http://www.fotocommunity.com/pc/pc/cat/2213/display/2790694>
>>
>>> I'd like to see this in B&W, or with a slight sepia tone.  People shoot
>>> too
>>> much color, perhaps because it's what they're used to seeing, or because
>>> it's simpler to do (esp in digital), and a lot of photos are
>>diminished by
>>> that apoproach. A ~good~ thoughful B&W conversion may lift this from the
>>> ordinary into something a bit more interesing and with greater impact.
>>
>>
>>I disagree with you here on a couple of points: First, I don't
>>think *this*
>>image is diminished by being in colour; there are few colours
>>here with the
>>clothes being B&W and the other elements being muted colours.
>>
>>Second, I think the application of *sepia* generally makes the finished
>>product about the process rather than what was going on in front
>>of the lens.
>>The original picture then becomes an ingredient in the production
>>of a piece
>>of what the producer considers artwork; I think in this case the image is
>>about sharing something the photographer saw and a moment he experienced.
>>(For that reason, the tilt doesn't bother me.)
>>
>>Third, I think that b&w vs. colour *is* largely a matter of taste and
>>opinion, and I disagree with your opinion that "people shoot too
>>much color" although I agree that the reason for all this colour
>>shooting is
>>that they see in colour. To me, for instance, colour photographs are more
>>interesting to look at than b&w ones because they are more
>>"real". To hold my
>>attention, a black & white photograph has to be REALLY compelling in its
>>content (some people on this list consistently shoot such compelling
>>monochrome images.)
>>
>>My own history with black & white may explain my prejudices in this area:
>>Although I have taken a few b&w photographs because I thought the subject
>>matter needed b&w, most of the b&w I have ever shot was done in
>>that medium
>>either because I was restricted by my budget (years ago) or because I was
>>restricted by the end use. I've read somewhere the suggestion that b&w
>>photography would've never come up if the first technology to produce
>>photographs had produced colour; frankly I suspect this is true.
>>It started
>>out as a limitation of the technology! like coarse grain in
>>low-light shots,
>>and sometimes reintroducing the limitation serves no purpose.
>>
>>Of course, sometimes it DOES serve a purpose ...
>>
>>But, this photograph we're discussing has a pretty clear content; isn't
>>cluttered with any brightly-coloured distractions; doesn't need
>>any "artistic" help like conversion to black and white or
>>(shudder) sepia or
>>(retch) infrared or cross-processing or (scream!) semi-conversion
>>to negative
>>to improve it. It's a slice of life and as such, is great just
>>the way it is.
>>IMO.
>>
>>Of course, I am in no way suggesting that your opinion ("people shoot too
>>much color ... ") is not valid but since I hold an opposing opinion, I
>>thought I would share it.
>>
>>ERNR
>>
>>


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